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audience Score 111 vote release year 2019 6,7 / 10 Star casts Sydney Sweeney A suburban teenager comes of age under the destructive guidance of his best friend, an aimless college dropout. Big time adolescence sundance trailer. Big time adolescence stream.


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Big Time adolescence. Sign in using your account with: Facebook or sign in with your ID: Remember me on this device Register - Forgot Password By creating an account, you verify that you are at least 13 years of age, and have read and agree to the Terms of Service and Privacy Policy. 0:33 oh my lord. Big time adolescence mgk trailer. Big time adolescence cast. Big time adolescence review. Big time adolescence bande annonce vf. Synopsis A 16 year old virgin with a growth hormone deficiency slowly gets corrupted by his hero, an aimless college dropout. Popular reviews More As expected, Im a big time fan of Big Time Adolescence. A hilarious yet depressing coming of age story? Ofcourse. Only solidifies my stance on Pete Davidson being one of my favorite celebrities working today. I didnt do the things this kid did, but I really felt what he felt in high school, and I love how well this film portrayed that. Its essentially a better Mid90s. High school boys need a really good coming of age film, and I feel like this is exactly that. ‪BIG TIME ADOLESCENCE is a marvelous starring vehicle for Pete Davidson. As the stoner fuckup who is dragging his best friend, a 16 year old, down with him, Davidson is pathetic but always hysterically entertaining. Jon Cryer is very good here as well. Has a lot of good laughs but doesnt provide anything we havent seen before. no i havent seen this i have just been waiting a year for this to be released when is this movie going to be open to the fucking public. it was quite funny and sad all at once, but it's still unfinished, so i wont spoil a thing (watched a test screening) Recent reviews Hulu needs to release this movie before I riot in the streets This movie is far from groundbreaking or original but for what it is, its done pretty well. The biggest surprise is Pete Davidson being likable. Its an occasionally funny, by the books coming of age tale that wants to be so much more than it is. but never quite gets there. Hot Summer Nights is another film very similar to this one (starring my boyfriend, Timmy) that has a better soundtrack and is slightly more entertaining. Pete Davidson has a certain charm, but he doesnt do much more beyond use that charm. He never has his serious  actor moment here like Awkwafina had in The Farewell. Id watch it when its on Hulu after youve already watched all the great, good and kind of good coming of age movies they have to offer. This one is at the lower end of “kind of good” for me. PLEASEEEE WHERE THE FUCK IS SHE. Okay so it turns out I watched a completely different film than this one, i was confused when Pete Davidson didnt pop up. Whatever movie I was watching on putlocker was called big time adolescence however dont watch that shit Bcos its ass This is another one of those movies that seems to reflect a moment in my own life where I could have made some very different and very bad decisions. And you (maybe) all know how much I love my coming of age stories. Pete Davidson and Griffin Gluck both really shine in this. I knew people like Pete's character growing up, and I was Griffin. It was only years later that I realized that people in their early 20s shouldn't want high school aged friends to make them feel cooler. It's funny, it's charming, it's heartbreaking, and definitely something I recommend catching. Ultimately Big Time Adolescence ends up feeling like a darker Superbad and a better Mid90s. VIDEO: A solid portrayal of what it looks like to fuck up Popular Lists Most Anticipated Also Dune 2,  Major Matt Mason, Seal Team,   Tropico and Pig.

Okay on the real Pete drop those “make Kanye 2006 again” hats, I need one. A charismatic college dropout helps a teenage boy come of age (mostly by getting into trouble. Comedy Jason Orley Pete Davidson LD Entertainment Big Time Adolescence release date for Blu-ray, Cinema, DVD, VOD TBA (US) Release Dates! Report Date / Submit Product Report Date / Submit Product The Big Time Adolescence release date is to be announced on Blu-ray, Cinema, DVD, VOD. Blu-ray TBA Confirmed 10 Cinema TBA Confirmed 11 DVD TBA Confirmed 12 VOD TBA Confirmed 11 Blu-ray TBA Confirmed 10 Cinema TBA Confirmed 11 DVD TBA Confirmed 12 VOD TBA Confirmed 11 Show Full List We will only notify you about the most important info & release updates Notify me when Big Time Adolescence is available. Already a member? Login Here 44 users are already tracking Big Time Adolescence release date for Blu-ray, Cinema, DVD, VOD TBA (US) We will only notify you about the most important info & release updates Notify me when Big Time Adolescence is available. Already a member? Login Here 44 users are already tracking Release Dates! Report Date / Submit Product Report Date / Submit Product The Big Time Adolescence release date is to be announced on Blu-ray, Cinema, DVD, VOD. Already a member? Login Here 44 users are already tracking.

Big time adolescence pete davidson. I actually like jimmys constant laughing—. Big time adolescence. Big time adolescence online. He promoted his mans album at the end 😭 what a real one. January 28, 2019 6:51PM PT Pete Davidson plays a charming lout who makes a teenager his buddy in an okay coming-of-age movie that needed more laughs or more depth. Theres a long-standing Hollywood tradition of comic characters (the vast majority, but not all, played by stars of “Saturday Night Live”) who are patently disreputable anti-social f—ups. Its the comedy as rock ‘n roll school of bad behavior, and its exemplars are legend: John Belushi turning wreckage into blissed-out anarchy in “National Lampoons Animal House, ” Bill Murray and his jabbering slob irony in everything from “Meatballs” to “St. Vincent, ” Will Ferrells destructive moronic narcissists, Jim Carreys media-wired lunatics, the revenge-of-the nerd horndog teen partiers of “Superbad. ” So when you first see Pete Davidson in “ Big Time Adolescence, ” where he plays a druggie wastrel loser who, from his look to his attitude, is very Pete Davidson (the forest of tattoos, the platinum hair, the dark-circled popping eyes and teeth-baring sexy chimpanzee smile, the stoned spin he puts on words like dude and sick and word) you naturally assume that hes one of those characters: an outrageous homeboy douche were going to be laughing with, rather than at. He is, maybe slightly. Yet the movie isnt actually that kind of comedy. Davidson plays Zeke, who is 23 years old but still living like the total rudderless dropout he is. He works (barely) at a discount appliance store, sleeps with his ex-girlfriends, and sells drugs to high-school kids on the side; his idea of ambition is to quit his day job and sell more drugs, so that he wont have to work at all. Hes like a blank-generation version of Matthew McConaugheys Wooderson in “Dazed and Confused”: a former high-school stud whos still clinging to the part, even though its starting to look shabby on him. Zeke doesnt have a care in the world, but thats only because he doesnt care about anything, least of all himself. He does, however, have a best friend: Mo (Griffin Gluck) the 16-year-old hero of the movie. Mo is a relatively straight and together kid (with his keen intelligence, sleek good looks, and Howdy Doody haircut, he seems like sophomore class president material) but he becomes Zekes protégé in hanging out and chasing kicks. Zeke drives the kid around, giving him weed, booze, and coarse misogynistic advice in how to get laid, then slipping him increasingly large quantities of drugs to sell at parties — and if that sounds like a slightly inappropriate thing for him to do, it is. Yet to Mo, Zeke is simply the quintessence of cool. (Thats why Mo will do anything he says. And Zeke likes hanging out with Mo because thats how he can keep feeling cool. Davidson, as always, gets you chuckling at the blasé bluntness of his punk self-absorption; he gives a blithely honed and stylish youth-sociopath performance. Yet “ Big Time Adolescence, ” which is less a wild comedy than a relatively straight coming-of-age movie sprinkled with (mild) chuckles, has no illusions about Zeke as a character. He doesnt represent a force of disreputable vitality. Hes just a f—up. And frankly, I wish hed been something more: the kind of character who slays us with his forbidden hilarity — or, barring that, the sort of layered troublemaker who would have taken Davidson at least one level deeper than his comfort zone. But no, hes just there, with no arc and not all that much surprise. Hes the charming lout next door who Mo idolizes and has to outgrow, but the movie would have been more of an adventure if we didnt completely see through Zeke from minute one. I have no idea how autobiographical “Big Time Adolescence” is (or isnt) but Jason Orley, the first-time filmmaker who wrote and directed it, certainly makes it feel like youre watching the anecdotal memoir version of a sowing-your-wild-oats teen flick. Mo sneaks out of the house, blows off his well-meaning but ineffectual father (Jon Cryer) and spends as much time as possible hanging out with high-school seniors, because he thinks thats where the action is. Zeke isnt his only bad influence; so is Jon (Thomas Barbusca) his squirmy classmate in coiffed hair, who gains entrée to a “pimps and hos” party by promising to bring alcohol. The two of them go, and the party looks every bit as depressing as it sounds. Even the “pimps and hos” concept just turns out to be a thin excuse for another routine basement drink-a-thon. The atmosphere of slovenly teen hedonism is authentic, and Orley has a filmmakers instinct for how to let the rhythms of a scene play out. At the party, Mo meets a girl, played by the vibrant Oona Laurence, whos as smart (and cute) as he is, and after gliding past a few getting-to-know-you sarcasms, the two begin to mesh. The connection is real, but Zeke has given Mo his secret for how to win a girl, and it turns out to be his boilerplate version of a “neg”: Lavish all this attention on her, he explains, make a point of pampering her with her favorite latte, and then, just as shes getting hooked…ghost her! She wont know what hit her, and when you finally return, shell be yours. Pete Davidson delivers this loathsome advice with a conviction thats rather unnerving, and Mos attempt to follow it turns out to be the plot of the movie. Boy meets girl, boy woos girl, boy (following Zekes genius counsel. treats girl like trash, then boy discovers that winning her back isnt really so easy. Laurence is like the young Ally Sheedy with more moxie, and Gluck, who never seems less than genuine, registers Mos deep dismay at seeing how wrong he was. But you wish there was more to the movie than that. “Big Time Adolescence” isnt bad, but its a trifle. It kept making me think of teen movies with central characters who go rogue in major ways that had more bite and surprise to them, like “The Perks of Being a Wallflower” or “Edge of Seventeen” or “mid90s. ” The wild card here is supposed to be Pete Davidson. Yet how wild a card can he be if he never seems like anything but a pest pretending to be a rock star? Hong Kong FilMart, Asias largest film and TV trade fair, will be postponed from its scheduled date in March to a new slot in August. The decision was a response to the growing fear of the novel coronavirus which has spread from mainland China to reach more than 20 countries and territories so far. The. The annual Far East Film Festival in Udine, Italy is to add a works-in-progress section to its Focus Asia industry services for the first time this year. The section will be curated by Marie-Pierre Valle, an executive with sales agency Wild Bunch. It will focus on Asian films in post-production, and those which are seeking. For all the kerfuffle that erupted in the spring of 2019 over the visual design of Sonic the Hedgehog, the blue-furred speed-demon mascot of the Sega video game–turned–live-action kiddie adventure, you wish that the creators of “Sonic the Hedgehog, ” who went back and redesigned the character after being pressured (I almost wrote bullied) by his. A new survey has revealed a major mental health crisis is permeating the U. K. film and TV industry, with close to 90% of off-screen professionals experiencing mental health issues on the job – significantly worse than the general population, in which 65% struggle with mental health at work. Commissioned by The Film and TV Charity. Boldly declaring itself “the first musicians union in the country to take a position in the 2020 Democratic primary, ” the 7, 000-member American Federation of Musicians Local 47 announced Wednesday that it has has endorsed Bernie Sanders for president, a little less than three weeks out from the California primary. In making the announcement, the union. By its very nature, science is supposed to be an impartial judge. But is it really? In her thought-provoking documentary “Coded Bias, ” director Shalini Kantayya questions the neutrality of technology, arguing that computers have a built-in bias that reflects the faulty assumptions of the people (usually men) who program them. Her emphasis is on the. In todays film news roundup, “Apollo 13” gets a three-day re-release, “Calm With Horses” gets a home, and Malin Akermans action-comedy “Chick Fight” rounds out its cast. ANNIVERSARY RELEASE “Apollo 13” will be re-released to 600 North American theaters on April 5, 6 and 8, nearly 50 years after the liftoff of the ill-fated 1970.

Big time adolescence full movie free online. Big Time adolescencia. It's really a lackluster story told well, something John Mulaney can pull off. The Vampire Diaries Automatically track what youre watching Join a community with a new generation of fans Please enter all the fields Please enter a correct Email Yahoo emails are not allowed This Email is already registered in Simkl Name too short Password is too short You can choose a password length of not more than 50 characters. Do not forget to switch keyboard layout to the English. Do not choose a password too simple, less then 4 characters, because such a password is easy to find out. Allowed latin and. characters Already have an account?  Enter Back Incorrect login or password entered Dont have an account?  Create Account Please enter your Email This Email is not registered in Simkl Failed to send email, try again later Don't worry. It's easy to reset. Please enter your Simkl username or E-mail from your account to start the password recovery process. We have sent instructions to the email address you provided during signup. Please follow the link from the email to continue. Back.

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Big time adolescence hulu date. Big time adolescence movie download. Demis boyfriend wouldnt give her more herrion. Everyone started somewhere. Big time adolescence h264. Big time adolescence griffin gluck. Big time adolescence film online subtitrat. Big time adolescence interview. Big time adolescence filme completo dublado. Rate this movie What did you think? Advertisement Released 2019-01-28 Runtime 90 mins Director Jason Orley Writer Jason Orley Language English Genres Comedy Advertisement A 16 year old virgin with a growth hormone deficiency slowly gets corrupted by his hero, an aimless college dropout. Advertisement Advertisement Advertisement Advertisement Advertisement Advertisement If you like Big Time Adolescence, check out...

I cant explain why, but this picture looks wrong; its like one of them accidentally slipped into the others universe and said “whoops! ” “You always hope that a movie that geared towards telling the youth story isnt corny…. and a lot of times it is, and this was one of those that you watched and its clear that it was real and there was no need for a giant [artificial] narrative. ”   - Colson Baker on Big Time Adolescence Colson Baker & Pete Davidson attend Big Time Adolescence premiere at Sundance Film Festival.

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Big time adolescence 123. Writer-director Jason Orley's comedy stars Pete Davidson as a man-child whose best friend is a 16-year-old. Which is more pathetic: Dazed and Confused 's Wooderson, who hangs out with high schoolers years after graduation — meeting a new crop of friends (and freshman girls) every year — or a 23-year-old whose best friend is the 16-year-old who started looking up to him at 10 and never wised up? Sympathetic to both the arrested-development loser and his about-to-be-disillusioned sidekick, Jason Orley's Big Time Adolescence has the dank smell of first-hand experience. As the older half of this odd couple, Pete Davidson is so on-target you might forget all the lines he's flubbed on Saturday Night Live. While it's not necessarily proof he's ready to carry pictures by himself, this outing will be well received by fans and is strong enough to earn attention for writer-director Orley, whose script made the Black List in 2014. We meet Monroe (or Mo, played by Griffin Gluck) in a flash-forward, as he is pulled out of his high-school classroom by a principal and a police officer. We have no idea why, but after jumping back six years, we can guess who's largely responsible: As an impressionable kid, Mo bonded with his older sister's boyfriend Zeke (Davidson) though the sister realized he was sketchy and dumped him, Mo never stopped tagging along. Years later, he has no friends his own age, and spends his afternoons drinking beer at Zeke's house with whatever twenty-something slackers are there. We don't learn much about Mo except that he's a nice kid, who says no when the other guys offer him a smoke, and that he has eyes for Sophie (Oona Laurence) but can't tell if she likes him back. Zeke tells Mo he should give her lots of attention, then become hard to reach when she starts to open up to him. Zeke's girlfriend Holly (Sydney Sweeney) says that's bad advice, but Holly's with him, so it must work. Still, manipulation doesn't come naturally to Mo, and he fares pretty well by being himself around Sophie. He's soon pushed into another persona, though. When Mo's invited to a senior's house party on the condition that he bring booze, Zeke asks him to take along some of his surplus weed as well, to sell to the kids for inflated prices. Soon Mo's a fixture at all the parties, getting more than weed for the new friends who never noticed him at school. The reader may see where this is going. Gluck is a babe in the woods as Mo, easygoing enough to convincingly hang with his stoned elders but willing to hand off most of the spotlight to co-stars. Orley pokes fun in tiny ways at some of the milestones we see in Mo's life — especially the time he gets trapped in a car as two guys turn it into a hotbox, then comes home high to find a family reunion in progress — but in general the film is more tender than comic, protective of each shred of Mo's innocence he still has to lose. Throughout, the familial chorus of "stop hanging out with that loser" is strongest from Mo's father Reuben (Jon Cryer) who knows it's unwise to try to prevent their socializing, but is worried and hurt every time Mo skips father/son time to go do who knows what. (Cryer is sympathetic as Reuben watches this aging goofball be Mo's source of paternal advice; what can he do, if he's unwilling to go against his nature and turn into a disciplinarian? Character development isn't the film's strong suit, except when it comes to Zeke, where the combination of performance and action tells us more than all the dumb advice he gives Mo. A character many of us have known in our own lives, Zeke doesn't realize how much he needs the admiration of others, and tries to ride his natural charisma further than it can carry him. Behind the scenes, Davidson is smart enough not to do the same thing: Where he has often seemed to think puppy-dog charm was all he needed on SNL, here he is disciplined, showing fine comic timing and yielding the screen when it serves the movie. Somewhere deep down, Zeke knows that if Mo gets something going for himself, he won't be around for long. He'd never intentionally get the kid in trouble or thwart his growth. But then, he does a lot of stuff unintentionally. Production company: Lidell Entertainment Cast: Pete Davidson, Griffin Gluck, Emily Arlook, Colson Baker, Thomas Barbusca, Oona Laurence, Esteban Benito, Julia Murney, Sydney Sweeney, Jon Cryer Director-screenwriter: Jason Orley Producers: Mason Novick, Glen Trotiner, Will Phelps, Mickey Liddell, Pete Shilaimon, Jeremy Garelick Executive producers: Michael Glassman, Michelle Knudsen, Pete Davidson, Ryan Bennett Director of photography: Andrew Huebscher Production designer: Kathrin Eder Costume designer: Samantha Hawkins Editor: Waldemar Centeno Composers: Zachary Dawes, Nick Sena Casting director: Amey Rene Venue: Sundance Film Festival (U. S. Dramatic Competition) Sales: UTA 90 minutes.

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Original title Big Time Adolescence Year 2019 Running time 90 min. Country United States Director Jason Orley Screenwriter Music Zachary Dawes Cinematography Andrew Huebscher Cast Pete Davidson, Griffin Gluck, Jon Cryer, Sydney Sweeney, Emily Arlook, Machine Gun Kelly, Oona Laurence, Thomas Barbusca, Brielle Barbusca, Julia Murney, Jon Freda, Michael Devine, Allen Wall, Caitlyn Stephenson, Eric Witkowski, Rafael Poueriet, Shaun Woodland, Scott Matheny Producer American High / LD Entertainment Genre Comedy, Friendship. Childhood. Teen/coming-of-age Synopsis / Plot A suburban teenager comes of age under the destructive guidance of his best friend, an aimless college dropout. Awards 2019: Sundance Film Festival: U. S. Dramatic Competition Critics' reviews Movie Soulmates' ratings Register so you can access movie recommendations tailored to your movie taste. Friends' ratings Register so you can check out ratings by your friends, family members, and like-minded members of the FA community. Is the synopsis/plot summary missing? Do you want to report a spoiler, error or omission? Please send us a message. If you are not a registered user please send us an email to All copyrighted material (movie posters, DVD covers, stills, trailers) and trademarks belong to their respective producers and/or distributors. For US ratings information please visit.

 

Pete got the “thank you, next” by the 14 year old look alike Ariana to end up dating a better and prettier woman LIKE Kate Im so jealous but I know Ariana feeling some type of way because he super upgraded.

 

 

 

 

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genre=Biography

director=Alla Kovgan

Runtime=93Min

Rating=6,9 / 10

writed by=Alla Kovgan

  • Great to see a film about dancing! A relatively unexplored sub-genre of documentary, and Cunningham was welcome for this alone. It adds to a hole that I suppose Wenders' Pina opened.

 

  • On that note, this film should not have been shot in 3d, which added nothing but nausia. We expect the 3d was entirely for the purpose of (a) copying Pina and, relatedly, b) getting funding. But Cunningham's dances are far less spectacular and their presentation here likewise. The 3d only distracts from the movement in all but one Warhol-involved set, especially when edited with 2d archival.

 

  • First half entertaining, second boring. The film progresses at a monotonous pace: one thing happens and then another and then another. No real conflict or tension.


Which is a problem. Because there evidently was plenty of this, but only in reality. The movie, on the other hand, brushes past unconvincingly. No one in the film is given space apart from Cunningham - everyone else speaks to convince the audience how great he is. I wanted to hear from one of his female dancers honestly, in long form, of the darkness of Cunningham. This would help to flesh out his character, give us something to chew on, and organise the film into a narrative. As is, we grew progressively distrusting and disengaged with the Greatest Hits/ Victory Lap tone, before the film ends suddenly with the news that all his dancers left.

  • Ultimately we were left unconvinced that Cunningham (the dancer) was all that interesting. Fashionable certainly, he's attached to the right people, and I'm sure it would be great to be dancing as him, but the just-over-half-full prime-time-at-the-festival cinema was an endless circuit of yawns.

 

  • Nevertheless we feel cultured now.

 

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But when cyber-genetically enhanced anarchist Brixton (Idris Elba) gains control of an insidious bio-threat that could alter humanity forever — and bests a brilliant and fearless rogue MI6 agent (The Crowns Vanessa Kirby) who just happens to be Shaws sister — these two sworn enemies will have to partner up to bring down the only guy who might be badder than themselves. Now Watch Cunningham (2019) Online Full Or Free, discMaidensions had begun for a sequel to Spider-Maidenn: Homecoming, with a release date given to the film before the end of the year. Holland was confirmed to return in July 2017, with Watts and the writers also confirmed to return by the end of that year. In 2018, Jackson and Gyllenhaal joined the cast as Fury and Mysterio, respectively. Holland revealed the sequels title ahead of filming, which began in July 2018 and took place in England, the Czech Republic, Italy, and the New York metropolitan area. Production wrapped in October 2018. The films Maidenrketing campaign attempted to avoid revealing spoilers for Cunningham prior to that films April 2019 release. Cunningham premiered in Hollywood on June 27, 2019, fand was theatrically released in the United States on July 2, 2019, in 3D and IMaidenX. The film was positively reviewed for its humor, visual effects, and perforMaidennces (particularly Holland and Gyllenhaal. It has grossed 980 million worldwide, Maidenking it the most-successful Spider-Maidenn film and the fourth-highest-grossing film of 2019. A sequel is in development. Title: Cunningham Release: 2019-12-13 Runtime: 93 min. Genre: Documentary Stars: Overview: The iconic Merce Cunningham and the last generation of his dance company is profiled in Alla Kovgan's 3D documentary, through recreations of his landmark works and archival footage of Cunningham, John Cage, Robert Rauschenberg, and more. 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YouTube. Full movie cunningham season. Full movie cunninghame. Stay Connected Keep updated with the latest news by following us and staying connected on social media. 2019 Merce Cunningham Trust Terms & Conditions Privacy Policy Site by Barrel/Larson 130 West 56th Street, Suite 707, New York, NY 10019 212. 255. 8240 Â 2019 Merce Cunningham Trust. Full movie cunningham video. Full movie cunningham download. Critics Consensus Cunningham may frustrate viewers hoping for a purer distillation of its subject's work, but it remains a solid tribute to a brilliant talent. 86% TOMATOMETER Total Count: 49 100% Audience Score User Ratings: 5 Cunningham Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Cunningham Videos Movie Info CUNNINGHAM traces Merce's artistic evolution over three decades of risk and discovery (1944-1972) from his early years as a struggling dancer in postwar New York to his emergence as one of the world's most visionary choreographers. The 3D technology weaves together Merce's philosophies and stories, creating a visceral journey into his innovative work. A breathtaking explosion of dance, music, and never-before-seen archival material, CUNNINGHAM is a timely tribute to one of the world's greatest modern dance artists. Rating: PG (for some smoking) Genre: Directed By: In Theaters: Dec 13, 2019 limited Runtime: 93 minutes Studio: Magnolia Pictures Cast News & Interviews for Cunningham Critic Reviews for Cunningham Audience Reviews for Cunningham Cunningham Quotes News & Features.

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"JARRINGLY BEAUTIFUL. 'Cunningham' succeeds in a way that most dance documentaries do not: as an art object in and of itself. " Marina Harss, The New Yorker. Full movie cunningham 2016. 1 win & 6 nominations. See more awards  » Edit Storyline Even for those who know little about dance, Merce Cunningham is a recognizable name - an iconic figure in his field. His mid-20th century collaborations with composer John Cage (his lifelong partner) and visual artist Robert Rauschenberg were central to an era of transformation. Cunningham resisted "avant-garde" or any other label. "I don't describe it. I do it. he once said. Now, with Cunningham, we have a chance to experience what he did. Filmmaker Alla Kovgan assembles the last generation of Cunningham dancers (led by Merce Cunningham Dance Company assistant director of choreography Jennifer Goggans) to present landmark works from the Cunningham repertoire. The film concentrates on the three decades from 1942 to 1972 when Cunningham was making his reputation. Gorgeously shot in 3D, Cunningham brings us closer to these works than any audience has ever been before. Taking an inventive approach with locations, the film places dancers in evocative backdrops such as a tunnel, a... Written by Toronto International Film Festival Plot Summary, Add Synopsis Taglines: One choreographer defined 20th century modern dance. See more  » Details Release Date: 13 December 2019 (USA) Box Office Opening Weekend USA: 18, 422, 15 December 2019 Cumulative Worldwide Gross: 211, 175 See more on IMDbPro  » Company Credits Technical Specs See full technical specs  ».

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; Vincent Cassel; 8861 Vote; country=USA; Average rating=6,2 / 10 Stars; Release year=2020. "Under water" redirects here. For the term relating to finance, see Negative equity. "Undersea" redirects here. For the EP by The Antlers, see Undersea (EP. The Underwater environment refers to the region below the surface of, and immersed in, liquid water in a natural or artificial feature (called a body of water) such as an ocean, sea, lake, pond, reservoir, river, canal, or aquifer. Some characteristics of the underwater environment are universal, but many depend on the local situation. Liquid water has been present on Earth for most of the history of the planet. The underwater environment is thought to be the place of the origin of life on Earth, and it remains the ecological region most critical to the support of life and the natural habitat of the majority of living organisms. Several branches of science are dedicated to the study of this environment or specific parts or aspects of it. A number of human activities are conducted in the more accessible parts of the underwater environment. These include research, underwater diving for work or recreation, and underwater warfare with submarines. However, the underwater environment is hostile to humans in many ways and often inaccessible, and therefore relatively little explored. Extent [ edit] The world ocean is the most visible part of Earth from space Three quarters of the planet Earth is covered by water. Most of the planet's solid surface is abyssal plain, at depths between 4, 000 and 5, 500 metres (13, 100 and 18, 000 ft) below the surface of the oceans. The solid surface location on the planet closest to the centre of the geoid is the Challenger Deep, located in the Mariana Trench at a depth of 10, 924 metres (35, 840 ft. There is a smaller part of the surface covered by bodies of fresh water and a large volume of underground water in aquifers. The underwater environment is hostile to humans in many ways and therefore little explored. It can be mapped by sonar, or more directly explored via manned, remotely operated, or autonomous submersibles. The ocean floors have been surveyed via sonar to at least a coarse resolution; particularly-strategic areas have been mapped in detail, to assist in navigating and detecting submarines, though the resulting maps may be classified. citation needed] Oceans and seas [ edit] Clouds over the Atlantic Ocean An ocean is a body of water that composes much of a planet 's hydrosphere. [1] On Earth, an ocean is one of the major conventional divisions of the World Ocean. These are, in descending order by area, the Pacific, Atlantic, Indian, Southern (Antarctic) and Arctic Oceans. [2] 3] The word "ocean" is often used interchangeably with "sea" in American English. Strictly speaking, a sea is a body of water (generally a division of the world ocean) partly or fully enclosed by land, 4] though " the sea " refers also to the oceans. Saline water covers approximately 361, 000, 000 km 2 (139, 000, 000 sq mi) and is customarily divided into several principal oceans and smaller seas, with the ocean covering approximately 71% of Earth's surface and 90% of the Earth's biosphere. [5] The ocean contains 97% of Earth's water, and oceanographers have stated that less than 5% of the World Ocean has been explored. [5] The total volume is approximately 1. 35 billion cubic kilometers (320 million cu mi) with an average depth of nearly 3, 700 meters (12, 100 ft. 6] 7] 8] Lakes, ponds, and rivers [ edit] A lake is an area filled with water, localized in a basin, that is surrounded by land, apart from any river or other outlet that serves to feed or drain the lake. [9] Lakes lie on land and are not part of the ocean, and therefore are distinct from lagoons, and are also larger and deeper than ponds, though there are no official or scientific definitions. [10] Lakes can be contrasted with rivers or streams, which are usually flowing. Most lakes are fed and drained by rivers and streams. Natural lakes are generally found in mountainous areas, rift zones, and areas with ongoing glaciation. Other lakes are found in endorheic basins or along the courses of mature rivers. In some parts of the world there are many lakes because of chaotic drainage patterns left over from the last Ice Age. All lakes are temporary over geologic time scales, as they will slowly fill in with sediments or spill out of the basin containing them. Many lakes are artificial and are constructed for industrial or agricultural use, for hydro-electric power generation or domestic water supply, or for aesthetic, recreational purposes, or other activities. A pond is an area filled with water, either natural or artificial, that is smaller than a lake. [11] It may arise naturally in floodplains as part of a river system, or be a somewhat isolated depression (such as a kettle, vernal pool, or prairie pothole. It may contain shallow water with marsh and aquatic plants and animals. [12] Ponds are frequently man-made, or expanded beyond their original depth and bounds. Among their many uses, ponds provide water for agriculture and livestock, aid in habitat restoration, serve as fish hatcheries, are components of landscape architecture, may store thermal energy as solar ponds, and treat wastewater as treatment ponds. Ponds may be fresh, saltwater, or brackish. A river is a natural flowing watercourse, usually freshwater, flowing under the influence of gravity towards an ocean, lake, another river, or into the ground. Small rivers can be referred to using names such as stream, creek, brook, rivulet, and rill. There are no official definitions for the generic term river as applied to geographic features, 13] Rivers are part of the hydrological cycle; water generally collects in a river from precipitation in a drainage basin from surface runoff and other sources such as groundwater recharge, springs, and the release of stored water in natural ice and snow. Potamology is the scientific study of rivers, while limnology is the study of inland waters in general. Subterranean water [ edit] Typical aquifer cross-section An aquifer is an underground layer of water -bearing permeable rock, rock fractures or unconsolidated materials ( gravel, sand, or silt. The study of water flow in aquifers and the characterization of aquifers is called hydrogeology. If an impermeable layer overlies the aquifer, pressure could cause it to become a confined aquifer. Aquifers may be classified as porous or karst, where a porous aquifer contains the water in the spaces between the grains of a loose sediment or rock (typically sand or sandstone) while a karst aquifer contains water mainly in relatively large voids in relatively impermeable rock, such as limestone or dolomite. Water filled caves can be classified as active and relict: active caves have water flowing through them; relict caves do not, though water may be retained in them. Types of active caves include inflow caves ( into which a stream sinks. outflow caves ( from which a stream emerges. and through caves ( traversed by a stream. 14] Artificial bodies of water [ edit] A reservoir is, most commonly, an enlarged natural or artificial lake, pond or impoundment created using a dam or lock to store water. Reservoirs can be created in a number of ways, including controlling a watercourse that drains an existing body of water, interrupting a watercourse to form an embayment within it, through excavation, or building retaining walls or levees. Canals are artificial waterways which may have dams and locks that create reservoirs of low speed current flow. Physical characteristics [ edit] Water is a transparent, tasteless, odorless, and nearly colorless chemical substance. Its chemical formula is H 2 O, meaning that each of its molecules contains one oxygen and two hydrogen atoms, connected by covalent bonds. Water is the name of the liquid state of H 2 O at standard ambient temperature and pressure. Water at the surface of the Earth moves continually through the water cycle of evaporation, transpiration ( evapotranspiration) condensation, precipitation, and runoff, usually reaching the sea. Water seldom exists in a pure form, it almost always contains dissolved substances, and usually other matter in suspension. Density [ edit] Density of ice and water as a function of temperature The density of water is about 1 gram per cubic centimetre (62 lb/cu ft) The density varies with temperature, but not linearly: as the temperature increases, the density rises to a peak at 3. 98 C (39. 16 F) and then decreases; this is unusual. [15] Regular, hexagonal ice is also less dense than liquid water—upon freezing, the density of water decreases by about 9. 16] These effects are due to the reduction of thermal motion with cooling, which allows water molecules to form more hydrogen bonds that prevent the molecules from coming close to each other. [15] While below 4 C the breakage of hydrogen bonds due to heating allows water molecules to pack closer despite the increase in the thermal motion (which tends to expand a liquid) above 4 C water expands as the temperature increases. [15] Water near the boiling point is about 4% less dense than water at 4 C (39 F. 16] a] Temperature distribution in a lake in summer and winter The unusual density curve and lower density of ice than of water is vital to life—if water were most dense at the freezing point, then in winter the very cold water at the surface of lakes and other water bodies would sink, the lake could freeze from the bottom up, and all life in them would be killed. [16] Furthermore, given that water is a good thermal insulator (due to its heat capacity) some frozen lakes might not completely thaw in summer. [16] The layer of ice that floats on top insulates the water below. [17] Water at about 4 C (39 F) also sinks to the bottom, thus keeping the temperature of the water at the bottom constant (see diagram. 16] The density of sea water depends on the dissolved salt content as well as the temperature. Ice still floats in the oceans, otherwise they would freeze from the bottom up. However, the salt content lowers the freezing point by about 1. 9 C and lowers the temperature of the density maximum of water to the fresh water freezing point at 0 C. [18] This is why, in ocean water, the downward convection of colder water is not blocked by an expansion of water as it becomes colder near the freezing point. The oceans' cold water near the freezing point continues to sink. So creatures that live at the bottom of cold oceans like the Arctic Ocean generally live in water 4 C colder than at the bottom of frozen-over fresh water lakes and rivers. As the surface of sea water begins to freeze (at −1. 9 C for salinity 3. 5% the ice that forms is essentially salt-free, with about the same density as freshwater ice. [18] This ice floats on the surface, and the salt that is "frozen out" adds to the salinity and density of the sea water just below it, in a process known as brine rejection. This denser salt water sinks by convection. This produces essentially freshwater ice at −1. 9 C on the surface. [18] On a large scale, the process of brine rejection and sinking cold salty water results in ocean currents forming to transport such water away from the Poles, leading to a global system of currents called the thermohaline circulation. Pressure [ edit] The density of water causes ambient pressures that increase dramatically with depth. The atmospheric pressure at the surface is 14. 7 pounds per square inch or around 100 kPa. A comparable hydrostatic pressure occurs at a depth of only 10 metres (33 ft) 9. 8 metres (32 ft) for sea water. Thus, at about 10 m below the surface, the water exerts twice the pressure (2 atmospheres or 200 kPa) as air at surface level. Buoyancy [ edit] Any object immersed in water is subjected to a buoyant force that counters the force of gravity, appearing to make the object less heavy. If the overall density of the object exceeds the density of water, the object sinks. If the overall density is less than the density of water, the object rises until it floats on the surface. Penetration of light [ edit] Note the bluish cast given to objects in this underwater photo of pillow lava ( NOAA. With increasing depth underwater, sunlight is absorbed, and the amount of visible light diminishes. Because absorption is greater for long wavelengths (red end of the visible spectrum) than for short wavelengths (blue end of the visible spectrum) the colour spectrum is rapidly altered with increasing depth. White objects at the surface appear bluish underwater, and red objects appear dark, even black. Although light penetration will be less if water is turbid, in the very clear water of the open ocean less than 25% of the surface light reaches a depth of 10 m (33 feet. At 100 m (330 ft) the light present from the sun is normally about 0. 5% of that at the surface. citation needed] The euphotic depth is the depth at which light intensity falls to 1% of the value at the surface. This depth is dependent upon water clarity, being only a few metres underwater in a turbid estuary, but may reach up to 200 metres in the open ocean. At the euphotic depth, plants (such as phytoplankton) have no net energy gain from photosynthesis and thus cannot grow. Temperature [ edit] There are three layers of ocean temperature: the surface layer, the thermocline, and the deep ocean. The average temperature of surface layer is about 17 C. About 90% of ocean's water is below the thermocline in the deep ocean, where most of the water is below 4 C. [19] There are temperature anomalies at active volcanic sites and hydrothermal vents, where water temperatures can significantly exceed 100C. Thermal conductivity [ edit] Water conducts heat around 25 times more efficiently than air. Hypothermia, a potentially fatal condition, occurs when the human body's core temperature falls below 35 C. Insulating the body's warmth from water is the main purpose of diving suits and exposure suits when used in water temperatures below 25 C. Acoustic properties [ edit] Sound is transmitted about 4. 3 times faster in water (1, 484 m/s in fresh water) than in air (343 m/s. The human brain can determine the direction of sound in air by detecting small differences in the time it takes for sound waves in air to reach each of the two ears. For these reasons divers find it difficult to determine the direction of sound underwater. However, some animals have adapted to this difference and many use sound to navigate underwater. Electrical conductivity [ edit] This section needs expansion with: Electrical conductivity in fresh and seawater. You can help by adding to it. July 2019) Dissolved materials [ edit] Salinity [ edit] Dissolved gases [ edit] Ecosystems [ edit] An estuary mouth and coastal waters, part of an aquatic ecosystem An aquatic ecosystem is an ecosystem in a body of water. Communities of organisms that are dependent on each other and on their environment live in aquatic ecosystems. The two main types of aquatic ecosystems are marine ecosystems and freshwater ecosystems. [20] Marine ecosystems are the largest of Earth 's aquatic ecosystems and are distinguished by waters that have a high salt content. Marine waters cover more than 70% of the surface of the Earth and account for more than 97% of Earth's water supply [21] 22] and 90% of habitable space on Earth. [23] Marine ecosystems include nearshore systems, such as the salt marshes, mudflats, seagrass meadows, mangroves, rocky intertidal systems and coral reefs. They also extend outwards from the coast to include offshore systems, such as the surface ocean, pelagic ocean waters, the deep sea, oceanic hydrothermal vents, and the sea floor. Marine ecosystems are characterized by the biological community of organisms that they are associated with and their physical environment. As the world ocean is the principal component of Earth's hydrosphere, it is integral to life, forms part of the carbon cycle, and influences climate and weather patterns. The World Ocean is the habitat of 230, 000 known species, but because much of it is unexplored, the number of species that exist in the ocean is much larger, possibly over two million. [24] Freshwater ecosystems include lakes and ponds, rivers, streams, springs, aquifers, bogs, and wetlands. They have a lower salt content than marine ecosystems. Freshwater habitats can be classified by different factors, including temperature, light penetration, nutrients, and vegetation. Freshwater ecosystems can be divided into lentic ecosystems (still water) and lotic ecosystems (flowing water. 25] Aquatic ecosystems are characterised by the limitation on ambient lighting due to absorption by the water itself and by dissolved and suspended matter in the water column, and by the support provided by buoyancy. Nutrients usable by plants are dissolved in the water, making them easily available. Outside the euphotic zone, photosynthesis cannot occur and life must use other sources of energy than sunlight. History [ edit] The Origin of water on Earth is unknown; oceans are thought to have formed in the Hadean eon and may have been the impetus for the emergence of life. Evolutionary pressures of the underwater environment [ edit] This section is empty. August 2019) Humans in the underwater environment [ edit] Although a number of human activities are conducted underwater—such as research, underwater diving for work or recreation, and underwater warfare with submarines, the underwater environment is hostile to humans in many ways and therefore little explored. An immediate obstacle to human activity under water is that human lungs cannot naturally function in this environment. Unlike the gills of fish, human lungs are adapted to the exchange of gases at atmospheric pressure. Any penetration into the underwater environment for more than a few minutes requires artificial aids to maintain life. For solid and liquid tissues like bone, muscle and blood, the high ambient pressure is not much of a problem; but it is a problem for any gas-filled spaces like the mouth, ears, paranasal sinuses and lungs. This is because the gas in those spaces is much more compressible than the solids and liquids, and reduces in volume much more when under pressure and so does not provide those spaces with support against the higher outside pressure. Even at a depth of 8 ft (2. 4 m) underwater, an inability to equalize air pressure in the middle ear with outside water pressure can cause pain, and the tympanic membrane (eardrum) can rupture at depths under 10 ft (3 m. The danger of pressure damage is greatest in shallow water because the ratio of pressure change is greatest near the surface of the water. The raised pressure also affects the solution of breathing gases in the tissues over time, and can lead to a range of adverse effects, such as inert gas narcosis, and oxygen toxicity. Decompression must be controlled to avoid bubble formation in the tissues and the consequent symptoms of decompression sickness. With a few exceptions, the underwater environment tends to cool the unprotected human body. This heat loss will generally lead to hypothermia eventually. Hazards of the underwater environment [ edit] There are several classes of hazards to humans inherent to the underwater environment. Absence of breathable gas, which can cause asphyxia, specifically by drowning. Ambient pressures which could cause barotrauma, or toxic effects of breathing gas components at raised partial pressures. Ambient temperatures which may lead to hypothermia, or in unusual cases, to hyperthermia, due to high rates of heat exchange. Solution of inert breathing gas components may lead to decompression sickness if decompression is too rapid. Entrainment of diver by moving water in currents and waves can cause injury by impacting the diver against hard objects or moving them to inappropriate depths. Dangerous aquatic organisms of various sorts. Ambient pressure diving [ edit] Tektite I underwater habitat with ambient pressure divers using scuba In ambient pressure diving, the diver is directly exposed to the pressure of the surrounding water. The ambient pressure diver may dive on breath-hold, or use breathing apparatus for scuba diving or surface-supplied diving, and the saturation diving technique reduces the risk of decompression sickness (DCS) after long-duration deep dives. Immersion in water and exposure to cold water and high pressure have physiological effects on the diver which limit the depths and duration possible in ambient pressure diving. Breath-hold endurance is a severe limitation, and breathing at high ambient pressure adds further complications, both directly and indirectly. Technological solutions have been developed which can greatly extend depth and duration of human ambient pressure dives, and allow useful work to be done underwater. [26] Atmospheric pressure diving [ edit] The Newtsuit has fully articulated, rotary joints in the arms and legs. These provide great mobility, while remaining largely unaffected by high pressures. A diver can be isolated from the ambient pressure by using an atmospheric diving suit (ADS) which is a small one-person articulated anthropomorphic submersible which resembles a suit of armour, with elaborate pressure resisting joints to allow articulation while maintaining an internal pressure of one atmosphere. An ADS can be used for relatively deep dives of up to 2, 300 feet (700 m) for many hours, and eliminates the majority of significant physiological dangers associated with deep diving; the occupant need not decompress, there is no need for special gas mixtures, nor is there danger of decompression sickness or nitrogen narcosis, and the diver is effectively isolated from most aquatic organisms. [27] Divers do not even need to be skilled swimmers, but mobility and dexterity are significantly degraded. Submersibles and submarines [ edit] A submersible is a small watercraft designed to operate underwater. The term submersible is often used to differentiate from other underwater vessels known as submarines, in that a submarine is a fully autonomous craft, capable of renewing its own power and breathing air, whereas a submersible is usually supported by a surface vessel, platform, shore team or sometimes a larger submarine. There are many types of submersibles, including both manned and unmanned craft, otherwise known as remotely operated vehicles or ROVs. [28] Remotely operated vehicles and autonomous underwater vehicles [ edit] ROV working on a subsea structure Pluto Plus AUV for underwater mine identification and destruction. From Norwegian minehunter KNM Hinnøy Remotely operated underwater vehicles and autonomous underwater vehicles are part of a larger group of undersea systems known as unmanned underwater vehicles. ROVs are unoccupied, usually highly maneuverable, and operated by a crew either aboard a vessel/floating platform or on proximate land. They are linked to a host ship by a neutrally buoyant tether, or a load-carrying umbilical cable is used along with a tether management system (TMS. The umbilical cable contains a group of electrical conductors and fiber optics that carry electric power, video, and data signals between the operator and the TMS. Where used, the TMS then relays the signals and power for the ROV down the tether cable. Once at the ROV, the electric power is distributed between the components of the ROV. In high-power applications, most of the electric power drives a high-power electric motor which drives a hydraulic pump for propulsion and to power equipment. Most ROVs are equipped with at least a video camera and lights. Additional equipment is commonly added to expand the vehicle's capabilities. Autonomous underwater vehicles (AUVs) are robots that travel underwater without requiring input from an operator. Underwater gliders are a subclass of AUVs. [29] Anthropogenic effects on the underwater environment [ edit] Sciences of the underwater environment [ edit] Hydrology  – The science of the movement, distribution, and quality of water on Earth and other planets Hydrography  – Applied science of measurement and description of physical features of bodies of water Limnology  – The science of inland aquatic ecosystems Marine biology  – The scientific study of organisms that live in the ocean Marine ecology  – The study of the interactions between organisms and environment in the sea Marine geology  – The study of the history and structure of the ocean floor Ocean chemistry  – chemistry of marine environments Oceanography  – The study of the physical and biological aspects of the ocean Potamology – The study of rivers Underwater archaeology  – Archaeological techniques practiced at underwater sites See also [ edit] Timeline of diving technology  – A chronological list of notable events in the history of underwater diving Underwater acoustics  – The study of the propagation of sound in water and the interaction of sound waves with the water and its boundaries Underwater photography  – Genre of photography Underwater vision  – Effects of the underwater environment on (human) vision Science of underwater diving  – Scientific concepts that are closely associated with underwater diving UNESCO Convention on the Protection of the Underwater Cultural Heritage References [ edit] "WordNet Search — ocean. Princeton University. Retrieved February 21, 2012. ^ ocean, n. Oxford English Dictionary. Retrieved February 5, 2012. ^ ocean. Merriam-Webster. Retrieved February 6, 2012. ^ WordNet Search — sea. Retrieved February 21, 2012. ^ a b "NOAA – National Oceanic and Atmospheric Administration – Ocean. Retrieved 2012-11-08. ^ Qadri, Syed (2003. Volume of Earth's Oceans. The Physics Factbook. Retrieved 2007-06-07. ^ Charette, Matthew; Smith, Walter H. F. (2010. The volume of Earth's ocean. Oceanography. 23 (2) 112–114. doi: 10. 5670/oceanog. 2010. 51. Retrieved 27 September 2012. ^ Volumes of the World's Oceans from ETOPO1. NOAA. Archived from the original on 2015-03-11. Retrieved 2015-03-07. CS1 maint: BOT: original-url status unknown ( link) Purcell, Adam. "Lakes. Basic Biology... definition. Retrieved 2008-06-25. ^ Definition of POND... ^ John Clegg (1986. The New Observer's Book of Pond Life. Frederick Warne. p. 460. ISBN   978-0723233381. ^ GNIS FAQ. United States Geological Survey. Retrieved 26 January 2012. ^ Silvestru, Emil (2008. The Cave Book. New Leaf. p. 38. ISBN   9780890514962. ^ a b c Greenwood, Norman N. Earnshaw, Alan (1997. Chemistry of the Elements (2nd ed. Butterworth-Heinemann. p. 625. ISBN   978-0-08-037941-8. ^ a b c d e Perlman, Howard. "Water Density. The USGS Water Science School. Retrieved 2016-06-03. ^ Zumdahl, Steven S. Zumdahl, Susan A. (2013. Chemistry (9th ed. Cengage Learning. p. 493. ISBN   978-1-13-361109-7. ^ a b c "Can the ocean freeze. National Ocean Service. National Oceanic and Atmospheric Administration. Retrieved 2016-06-09. ^ Temperature of Ocean Water. Windows to the Universe. National Earth Science Teachers Association (NESTA. ^ Alexander, David E. (1 May 1999. Encyclopedia of Environmental Science. Springer. ISBN   0-412-74050-8. ^ Oceanic Institute. Retrieved 2018-12-01. ^ Ocean Habitats and Information. 2017-01-05. Retrieved 2018-12-01. ^ Facts and figures on marine biodiversity, United Nations Educational, Scientific and Cultural Organization. Retrieved 2018-12-01. ^ Drogin, Bob (August 2, 2009. Mapping an ocean of species. Los Angeles Times. Retrieved August 18, 2009. ^ Wetzel, Robert, G. (2001. Limnology: lake and river ecosystems (3rd ed. San Diego: Academic Press. ISBN   978-0127447605. OCLC   46393244. ^ Kot, Jacek (2011. Educational and Training Standards for Physicians in Diving and Hyperbaric Medicine (PDF. Kiel, Germany: Joint Educational Subcommittee of the European Committee for Hyperbaric Medicine (ECHM) and the European Diving Technical Committee (EDTC. ^ WASP Specifications" PDF. Archived from the original (PDF) on 3 March 2014. Retrieved 27 February 2014. ^ Submersible. The Canadian Encyclopedia. 2011. Archived 2017-12-04 at the Wayback Machine. J. Chambers 02/07/2006 "Archived copy. Archived from the original on March 15, 2012. Retrieved 2011-10-20. CS1 maint: archived copy as title ( link) CS1 maint: BOT: original-url status unknown ( link) "Remotely Operated Vehicle Design and Function. Maritime About. Retrieved 4 June 2016. Footnotes [ edit] (1-0. 95865/1. 00000) × 100. 4. 135% Wikimedia Commons has media related to Underwater.

Cant wait to see this jawn! 🔥🔥🔥. I like this music. I get 6 hours of sleep every night cause of this music. THANKS. • You can make a lot of claims and questions about the film, but the whole show is famously staged, a bomb attraction, compensates for all its shortcomings. The film has a stunning visual range. All these wetsuits, cabins, water depths, and the overall dynamics of the story carried me like a • You can make a lot of claims and questions about the film, but the whole show is famously staged, a bomb attraction, compensates for all its shortcomings. All these wetsuits, cabins, water depths, and the overall dynamics of the story carried me like a turbo. • The creators of the film from the first minutes, without going into details and details of what is happening, twists the viewer into the abyss of events. And because of this, the General narrative and empathy for all the characters suffers. Of which there are only seven. Cassel scenario, although it takes an important role, but the dialogues and participation with him, like a cat did not cry. Drags the entire Kristen Stewart movie. I personally am very pleased to see how much she has grown professionally in terms of acting. Grew up, prettier and leveled up skill. • It is impossible not to mention the juiciest sound and soundtrack. But it is, in principle, be heard still on the trailer. A real treat for my ears. In places, the music is very similar to the OST "blade Runner 2049. • I don't know what medicine critics got the idea that this is some kind of carbon copy of "Alien. In" Under water" the monster (monsters) and people do not feel like a "predator - prey (victim) scheme. "Underwater" is 80% action movie, and the remaining 20% action Thriller. "Alien" was more about survival, history, and characters. The General mood, what is happening on the screen and "familiarity" with monsters in" Underwater " takes place in a different pattern. Kristen Stewart's character was dubbed Amanda Ripley. What? From where such thoughts? How are they fixed? And then all the spectators grabbed this banner and dragged it to the masses. "Under water" is a completely independent work. • The movie has problems with the script and opening characters, but everything about sound, action, Kristen Stewart and the overall visual is just SUPER! I'll go to IMAX next week. What I recommend to you! … Expand.

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Underwater sounds. Underwater rotten tomatoes. Underwater volcano eruption. Underwater squad. Top definitions related content examples explore dictionary british [ uhn -der- waw -ter. wot -er. ˈʌn dərˈwɔ tər, ˈwɒt ər / adjective existing or occurring under water. designed to be used under water. located below a ship's waterline. adverb beneath the water: to travel underwater. noun the water beneath the surface: cold currents in the underwater. underwaters, the depths, as of a sea, lake, etc. Words related to underwater Words nearby underwater underused, underutilize, undervalue, undervest, underwaist, underwater, underway, underwear, underweight, underwent, underwhelm Origin of underwater First recorded in 1620–30; under. water Unabridged Based on the Random House Unabridged Dictionary, Random House, Inc. 2020 Examples from the Web for underwater The fundamental issue: the boundaries of the underwater Lomonosov Ridge. Theoretically, the ship can take on all comers in the air, sea, underwater or on land. Did something happen to Bob during those few seconds underwater? A few hundred meters upriver, you see groves of date palms swaying as if underwater. Underwater rover Nereus was lost to the deep last month, and it's not the first. Fish and all forms of underwater life make a background noise over the hydrophones, you know. We saw a crude type of underwater craft moving in this direction, and followed it at a distance. He also intended getting plenty of underwater movies of the colorful reefs and fish. The rushing sound from underwater was a loud, throbbing hum which had no relationship with the humming sound that drove fish. Then he drew up a list of supplies and underwater search gear needed for the missile hunt. British Dictionary definitions for underwater underwater. ˈʌndəˈwɔːtə. adjective being, occurring, or going under the surface of the water, esp the sea underwater exploration nautical below the water line of a vessel (of a stock option or other asset) having a market value below its purchase value adverb beneath the surface of the water Collins English Dictionary - Complete & Unabridged 2012 Digital Edition William Collins Sons & Co. Ltd. 1979, 1986 HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012.

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Learning about Underwater Photography Underwater photography is a unique photographic genre that often requires the use of scuba gear, but can also be done while swimming, snorkeling, in an underwater vehicle, or by using automated cameras.  While underwater imaging requires lots of specialized equipment and techniques, the payoff is worth it. Underwater photographers have access to many amazing subjects, including fish and other marine life, cave systems, shipwrecks, aquascapes, diver portraits, and more. Lighting Achieving proper lighting is one of the primary challenges underwater photographers face. Even in crystal clear water, light levels drop off significantly starting at just five feet deep because most of the light reflects off the waters surface. In addition to light loss, the white balance of the ambient light becomes increasingly blue as you descend, which diminishes the vivid colors of your subjects. For these reasons, you should use flash if taking pictures at depths greater than five feet. Its also very important to get as close to your subject as possible to reduce the amount of backscatter (small water particles) and white-balance issues in your photos. Other considerations include the direction of the lighting, the best time of day to shoot, and what specific lighting gear you need for your shoot.  For more information, read Learn to Light Underwater. To view lighting products, check out the Underwater Lights & Strobes page. Cameras and Housings There are many different camera options for underwater photography. For casual shooters or those who want a one-time solution, check out the Fujifilm Quicksnap 800 Waterproof Disposable Camera. For more serious shooters, we stock lots of underwater housings that can transform your everyday point-and-shoot, SLR, or mirrorless camera into an underwater camera. If youre snorkeling or shooting in shallow water, you can use more affordable waterproof pouches that resemble heavy-duty zip-lock bags with glass lens portals. Some pouches can go as deep as 30 feet. If youre shooting in deeper water, you need a hard-shell housing to protect your camera. Hard-shell housings are specifically made for certain camera models so that you can control your cameras exposure and functions with ease. Skills and Training The majority of underwater photographs are taken while scuba diving, so being a certified scuba diver is a good idea. Displaying good diving technique also improves the quality of the images, since a calm, skilled diver will not disturb marine life or the environment as much as an inexperienced diver. If you want to take your underwater photography to the next level, B&H has the equipment and know-how to get you there. Please contact us if you have any questions.

Looking for movie tickets? Tell us where you are. ENTER CITY, STATE OR ZIP CODE GO Need a refund or exchange? It's easy with our worry-free tickets. Here's what's included with every worry-free ticket purchase: Peace of mind of a guaranteed ticket. We know life happens. You may exchange or request a refund for your entire order, less the convenience fee, through Fandango up until the posted showtime. You'll have to complete your refund and exchange before the posted showtime indicated on your ticket. We'll refund your credit card or we can credit your Fandango account to use for another movie. Your choice. Released January 10, 2020 PG-13, 1 hr 35 min Horror Suspense/Thriller Sign up for a FANALERT and be the first to know when tickets and other exclusives are available in your area. Also sign me up for FanMail to get updates on all things movies: tickets, special offers, screenings + more.

Underwater house. More Info OVERVIEW The following is an overview of the Shipping Pass Pilot subscription service. You should review the Terms & Conditions for a more detailed description as well as service limitations prior to signing up for Shipping Pass. What is Shipping Pass and how will it make my life easier? You told us what you wanted and now we're delivering it. Shipping Pass is our new subscription program designed to bring you unlimited 2-day free shipping for one year with no minimum order. Get what you need ― fast! How much does Shipping Pass cost? It's just 49 for a whole year of unlimited free shipping after your initial 30-day free trial. Start your free trial now. ELIGIBLE ITEMS What products can I order using Shipping Pass? We focused on the bestselling products customers like you want most in categories like Baby, Clothing, Electronics and Health & Beauty. Marketplace items (products not sold by) and items with freight charges are not eligible for Shipping Pass. 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What is an Underwater Mortgage An underwater mortgage is a home purchase loan with a higher principal than the free-market value of the home. This situation can occur when property values are falling. In an underwater mortgage, the homeowner may not have any equity available for credit. An underwater mortgage can potentially prevent a borrower from refinancing or selling the home unless they have the cash to pay the loss out of pocket. Explaining Underwater Loans Breaking Down an Underwater Mortgage Underwater mortgages were a common problem among homeowners around the height of the 2008 financial crisis, which among other things, involved a substantial deflation in housing prices. While the market has greatly recovered due to support from monetary policy and interest rate stabilization, underwater mortgages are still a factor that property owners must follow closely when making a real estate investment. Generally, a mortgage is considered underwater when the value of the home is less than the original mortgage principal. Depending on the decrease in the value of the home since its purchase, the borrower may also have no equity or negative equity. Equity on a home is associated with the value of the home versus the balance paid. A borrower with a 250, 000 mortgage that sees their home value decrease to 225, 000 is considered to have an underwater mortgage. If the borrower has paid half of the principal on their mortgage loan resulting in a principal balance of 125, 000, then they still are considered to have positive equity of 100, 000 which could be utilized in a home equity loan. The 2008 Financial Crisis The 2008 financial crisis had numerous effects on the U. S. economy. One such effect was a bursting housing bubble that substantially deflated real estate property values across the market. A primary catalyst for the housing value deflation was loose lending standards for borrowers providing for broader mortgage loan approvals. This loose lending specifically to subprime borrowers led to a heightened number of defaults and foreclosures which effected real estate property values across the U. market. This led to a variety of uncommon situations causing losses for borrowers across the market whose mortgage loan values exceeded their homes fair market value. Subsequently, monetary policy implementation from the Federal Reserve helped the U. economy to recover and housing prices to rebound. Lower interest rates following the crisis also helped to reduce mortgage payment burdens and increase some demand for real estate. Assessing Home Value Given new market initiatives from the Dodd-Frank legislation helping to improve mortgage lending standards, it is not likely that homebuyers will again see the substantial real estate price drops that occurred in 2008. However, the 2008 financial crisis did cause a new sense of market realization and caution across real estate investing. As such lenders are now more cautious about the mortgages they approve and homeowners are generally more careful about the mortgage debt they take on. Even with a new outlook on the market, though, homeowners still must closely follow home values and mitigate underwater mortgage risks. To maintain a good understanding of a homes value, a homeowner may choose to have the property appraised annually. Appraisals are also done regularly to calculate property taxes. An appraisal value will be based on a number of factors which may include national market trends, recent sales by similar properties in the region and neighborhood as well as the homes individual amenities. Homeowners can also work to maintain a high home value for their home by doing regular renovations and actively supporting positive community activities.

Underwater showtimes. Underwater restaurant in orlando. Underwater swimming pool. Underwater movie 2019. Underwater hotel. Underwater restaurant. Underwater movie monster. Underwater welding. Underwater reviews. Living, lying, or occurring below the surface of the water underwater plants don't require as much light to grow as surface plants a vessel designed for underwater exploration Synonyms for underwater aquatic, submarine, submerged, sunken Words Related to underwater oceanic undersea abysmal, abyssal, deep, deep-sea, deepwater.

Underwater swimming. Also found in: Thesaurus, Financial, Acronyms, Idioms, Encyclopedia, Wikipedia. underwater   (ŭn′dər-wô′tər, wŏt′ər) adj. 1. Relating to, occurring, used, or performed beneath the surface of water. 2. Nautical Below the water line of a vessel. un′derwa′ter adv. underwater ( ˈʌndəˈwɔːtə) adj 1. (Physical Geography) being, occurring, or going under the surface of the water, esp the sea: underwater exploration. (Nautical Terms) nautical below the water line of a vessel 3. (Stock Exchange) of a stock option or other asset) having a market value below its purchase value adv (Physical Geography) beneath the surface of the water un•der•wa•ter (ˈʌn dərˈwɔ tər, ˈwɒt ər) adj. existing or occurring under water. designed to be used under water. 3. located below a ship's waterline. adv. 4. beneath the water: to travel underwater. n. 5. the water beneath the surface. 6. underwaters, the depths, as of a sea or lake. [1620–30] Thesaurus Antonyms Related Words Synonyms Legend: Adj. underwater - beneath the surface of the water; submerged rocks" subsurface - beneath the surface; subsurface materials of the moon" 2. underwater - growing or remaining under water; viewing subaqueous fauna from a glass-bottomed boat. submerged leaves" aquatic - operating or living or growing in water; boats are aquatic vehicles. water lilies are aquatic plants. fish are aquatic animals" underwater.

Underwater song. Underwater soundtrack. I can get a bicycle at Jamaica at Lagwood on a hil my name is reuben i am 10 yares old. YouTube. Underwater rugby. Underwater hockey. Underwater movie reviews. Like look at all that lobster! Its like so many to chose from. I wish I live there, I can feed my family. I remember shark tale I watched that as a youngster love that movie. An effective sci-fi thriller that acknowledges its inspirations. 1/10/2020 Kristen Stewart and Vincent Cassel play survivors of an endangered deep-sea drilling crew in William Eubank's monster movie. Following up on his 2014 brainteaser The Signal, William Eubank's Underwater lets viewers know what they're in for from the start: If its title treatment's faint echo of Alien doesn't tip you off (with letters materializing onscreen out of order against a ghostly expanse) a credits sequence heavy on newspaper-headline exposition may remind you of recent Godzilla reboots, in which humanity's hubris awakened terrible creatures from the deep. Sure, our working-class heroes — survivors of a deep-sea drilling disaster — are fighting against terrifying odds just to get to a structure that won't crumple under unfathomable water pressure before their oxygen runs out. But this is a creature feature, whose gory jump-scares and icktastic critter design are the reason you're here. An ensemble led by Kristen Stewart brings credible camaraderie to the scenario without quite matching the vivid chemistry of Alien and its best descendants; with such a tightly packed survival tale ahead of them, though, few viewers will be calling out for more character development. Stewart plays Norah, a mechanical engineer working more than six miles beneath the ocean's surface on the deepest drilling operation in history. Alone at the film's beginning, she speaks to us in a surprisingly pensive voiceover, making elliptical references to a former boyfriend and declarations — "there's a comfort to cynicism; there's a lot less to lose" — that don't sync up with anything to come in the film. No matter: Norah's about to be jolted from her reverie by a breach in her station's hull. After a panicked race to find a structurally sound airlock, she realizes hundreds of her crewmates have been killed by the explosive flood. As she and the one other survivor from this part of the station (Mamoudou Athie's Rodrigo) crawl through rubble searching for others, the film mercilessly amplifies the setting's inherently claustrophobia-triggering qualities. Gathering soon with their captain (Vincent Cassel) and three other survivors (T. J. Miller, Jessica Henwick and John Gallagher Jr. they realize their only option is to get in spacesuit-like deep sea gear, descend further to the ocean floor, and walk out to the main drilling station. As they figure things out, they get their first looks at what's responsible for weird noises they're hearing outside — an unknown species originating from suboceanic thermal vents, perhaps, forced out by a drilling-triggered seismic event. Here's hoping that event didn't wreck the drilling site as it did this command center. As they prepare to make the trip, Norah instructs Emily (Henwick) the only other woman in the group, to take off her pants, as they won't fit in the undersea suit. Presumably, the line was slipped into the script to justify the fact that, later in the film, Stewart will spend multiple scenes running around in just her underwear. But it might draw attention to this contrivance instead: Those exoskeleton-like suits clearly weren't tailored to fit individual crewmembers, and Miller's character Paul (the cast's comic relief, naturally) just reminded us what a big fella he is. How can a suit accommodate his girth, with room left for the stuffed animal he inexplicably carries around, while the much smaller Emily and Norah have to strip down? Grounded in reality or not, a skimpier version of Ellen Ripley's underwear-action-hero look is one Alien reference this movie could've done without. Eubank maximizes the cold-sweat factor once his characters are on the ocean floor — totally exposed to the monsters they're hearing, but unable to see them in the sediment-clouded murk. He puts his camera into Norah's helmet, but films her from the side, emphasizing how trapped she is within; several violent scenes remind us all how horrible it would be if that transparent shell were to crack. Or be cracked. Eubank rations out the pic's monsters with skill — lots and lots of "what's that sound. at first, followed by quite effective partial or fleeting glances. But even after we've seen the fluidly-moving things in full and at length, the film nicely balances their menace with that of the depths. In fact, Underwater hints at one point that the ocean is the only thing truly worth fearing here. In a fleeting echo of man-plays-God sci-fi parables of yore, a character describes the monsters as Mother Earth's vengeance on those who would never stop looking for ways to extract her resources: We took too much — and now she's taking back. Whether on Earth or on ore-rich moons far out in the galaxy, it seems the ones chanting "Drill, baby drill" the loudest are never around when the mine collapses, the rig explodes or a monster shows up to punish their greed. Production company: Chernin Entertainment Distributor: Twentieth Century Fox Cast: Kristen Stewart, T. Miller, Jessica Henwick, Vincent Cassel, John Gallagher Jr., Mamoudou Athie Director: William Eubank Screenwriters: Brian Duffield, Adam Cozad Producers: Peter Chernin, Tonia Davis, Jenno Topping Executive producer: Kevin Halloran Director of photography: Bojan Bazelli Production designer: Naaman Marshall Costume designer: Dorotka Sapinska Editors: Brian Berdan, William Hoy, Todd E. Miller Composers: Marco Beltrami, Brandon Roberts Casting director: Angela Demo Rated PG-13, 94 minutes.

Underwater robot doomsday glacier. Underwater 2020. 😍😍😍😍😍😍. Which cam are you using. 亞特蘭提斯的地盤. Yes, she's a very good actress, especially throwing elbows at some guys face like in Charlies Angel trailer lollll. What Does Underwater Mean? Underwater is the term for a financial contract or asset that is worth less than its notional value. This item could be an out-of-the-money  call option where the stock currently trades above the option's strike price. More commonly though, the term is used in relation to a house, or another substantial asset, which has an outstanding mortgage or loan on the asset that is a larger amount than what the asset is worth. In either case, the holder has an asset without intrinsic value. In the case of the mortgage or loan, the holder of the asset actually owes more than the asset is worth. Underwater is also referred to as upsidedown. Key Takeaways Underwater means an asset is out-of-the-money, an options trading term, but more commonly refers to having a loan on an asset that is larger than what the asset is worth. A homeowner is underwater if their mortgage is larger than what the home is worth. Underwater situations can often, but not always, be avoided by looking for good deals and creating a margin of safety between the asset's value and the loan amount. Explaining Underwater Loans Underwater Explained In options trading, an out-of-the-money (OTM) call has a strike price above the current price of the underlying stock or commodity. An OTM put has a strike below the current price of the underlying. If the underlying asset cannot move above the call strike or below the put strike, the option will expire worthless. This occurs because all of the value of an OTM option is derived from its time value and the potential for the underlying to move in-the-money (ITM. However, if it doesn't move ITM, all of that time value decays, leaving the option holder with a worthless asset. Traders use OTM options when they believe the underlying asset will eventually move in the desired direction. More commonly, underwater means owning an asset that is worth less than an outstanding loan on that asset. This could happen in a margin trading account, where a trader owns a stock on leverage, but the company (stock) declares bankruptcy and the stock holdings no longer cover the margin or loan the broker provided to buy the stock initially. The account is underwater, and the investor will need to find funds somewhere else to pay back the money (loan) they lost in the stock market. This is called a margin call. If a new car is purchased with a loan, the purchase almost immediately results in the buyer being underwater because the car will depreciate immediately once it is driven off the lot while the loan will be paid down slowly over years. Eventually, as more payments are made, and the car depreciates at a slower rate, the car will be back above water. For example, in 10 years the loan is paid off but the owner can probably sell the car for a few thousand dollars, depending on the make and health of the vehicle. Underwater Real Estate In real estate, underwater refers to the situation where a house or other property is worth less than the money owed on the loan. This poor value presents problems for both the homeowner and the holder of the mortgage. If the homeowner needs to move, the sale of the home will not produce sufficient monies to pay the mortgage holder, even before any transaction fees. In this case, the homeowner must find additional funds or enter into a short sale with a third party. These types of problems, in turn, lead to legal battles and possible difficulties down the road for both the original homeowner and the third party lender. While a short sale does complicate the process by which the original lender recovers their money, a more significant problem with underwater mortgages emerged after the housing bubble in 2006 and bust in 2007. Homeowners owing more than their home's value quietly walked away from their investments. This resulted in mortgage defaults, leaving the lending banks with losses and the added expenses of liquidating their acquired homes. Tips to Avoid Being Underwater Being underwater on a loan isn't always a horrible thing. As long as payments are made, the loan is paid down and the underwater situation may end up being temporary. That said, underwater situations can be mostly avoided by looking for a margin of safety in regards to the asset being purchased and the loan amount. Getting a good deal on a house or car, where the value of the asset could be sold for more than what is paid (given some time) will mean the loan amount is smaller and there is a larger buffer between the asset's value and the loan amount. This means the asset would need to fall in value more in order to be underwater. Compare that to a couple that overpays for a house, paying 300, 000 in a bidding war for a house that is really only worth 280, 000. Depending on how much they put down, they could be underwater immediately, or if housing prices fall they could be underwater substantially in a short amount of time. Missing payments or incurring additional fees for violating the terms of the loan can increase the loan amount owing quickly. This can cause a loan to move underwater, or deeper underwater. Lenders are often willing to work out solutions with borrowers if the financial struggles are short-term, as the lender doesn't want to have to go through the struggle of selling an underwater asset to only partially pay back a loan at a loss. If dealing with financial problems, talk to a financial planner, debt counselor, and/or the lender to help find a solution before the problem gets worse. Example of Being Underwater on a Mortgage Assume a person sees a house they like listed at 400, 000. They have 40, 000 for a downpayment, or 10. Not including other fees and mortgage insurance, which will mean some of the downpayment won't be going to the principle, for simplicity assume that the buyer gets a loan for 360, 000. Using the mortgage and downpayment the buyer pays for the house. Several months after the purchase they notice similar houses in their area are selling for substantially less than 400, 000. Similar homes, called comparables, are selling for 350, 000. The loan value of 360, 000 has only dropped incrementally to 359, 000 as much of the initial payments go to interest and not principle, yet the house is only worth 350, 000. If the house was sold, it could not pay off the loan. This is referred to as being underwater or upside down. If the housing market stabilizes, eventually the loan will be paid down and the property loan will no longer be underwater. Being underwater a small amount, or for a short period of time, isn't a major issue. Being underwater for a long time and by a large amount indicates a poor purchase, poor timing, or poor market conditions. Possibly all three. The house could be underwater for a number of reasons. Possibly the homebuyer overpaid in the first place. The house may have only been worth 350, 000 all along, but the seller asked more and the buyer was willing to pay it. Alternatively, the property value may have dropped. 400, 000 may have been a good price at the time, but a recent downturn in the economy means fewer jobs and not as many people being able to afford their homes. Forced to sell, property values are driven down. Property values often deteriorate slowly but can move quickly in certain areas. For example, a small town may see property values plummet very quickly if the main source of employment, say a plant or mine, closes. A certain street may see property values drop quickly if a gang takes of residence in one of the houses.

Underwater camera. This article is about the 2020 science fiction film. For the 1955 adventure film starring Jane Russell, see Underwater! Underwater Theatrical release poster Directed by William Eubank Produced by Peter Chernin Tonia Davis Jenno Topping Written by Brian Duffield Adam Cozad Starring Kristen Stewart Vincent Cassel Jessica Henwick John Gallagher Jr. Mamoudou Athie T. J. Miller Music by Marco Beltrami Brandon Roberts Cinematography Bojan Bazelli Edited by Todd E. Miller Brian Berdan William Hoy Production companies Chernin Entertainment Distributed by 20th Century Fox Release date January 10, 2020 (United States) Running time 95 minutes Country United States Language English Budget 50–80 million [1] 2] Box office 37. 2 million [3] 4] Underwater is a 2020 American science fiction horror film directed by William Eubank and written by Brian Duffield and Adam Cozad. The film is produced by Chernin Entertainment and stars Kristen Stewart, Vincent Cassel, Jessica Henwick, John Gallagher Jr., Mamoudou Athie, and T. Miller. [5] It follows a group of scientists at the bottom of the ocean who encounter a group of creatures after an earthquake destroys their laboratory. Underwater was released in the United States on January 10, 2020, by 20th Century Fox. The film has grossed 37 million worldwide and received mixed reviews from critics. It is the last film released under the 20th Century Fox name, before the name was changed to 20th Century Studios by Disney, after their acquisition of Fox and its assets. [6] Plot [ edit] Tian Industries intends to drill seven miles to the bottom of the Mariana Trench for resources. A large earthquake hits, and a section of the Kepler 822 Station starts to suffer a catastrophic breach from the pressure. Norah Price, a mechanical engineer, and Rodrigo are able to escape the area and close it off, temporarily preventing further damage to the Kepler. They rescue Paul as they make their way to the escape pod bay. However, the three discover that all of the escape pods have already been deployed, with Captain Lucien being the only person in the area when the three arrive. The surviving crew reach a control base and find biologist Emily Haversham and engineer Liam Smith, who are unsuccessful in their attempts to make contact with the surface. Lucien recommends that they put on pressurized suits and walk one mile across the ocean floor to the Roebuck Station 641. They start to emerge from the station into a cargo elevator, but Rodrigos helmet is faulty and cracks from the pressure, killing him instantly. The surviving crew see a distress beacon from one of the escape pods below, and Smith and Paul go outside to investigate. As Smith and Paul arrive at the location, the pod has been ripped open and a body lies in the rubble. Paul inspects the body, only for a hatchling creature to emerge from it and attack him. Smith is able to shoot and kill it with a bolt gun, and they bring it inside. Studying the creature's body, Haversham realizes it is a part of a previously undiscovered species. The five begin to set out towards the Roebuck Station, but as they are walking, the Kepler explodes, causing debris to fly towards them. Smith is hit by the debris, but Price and Lucien manage to save him and bring him inside. They are able to make it to the meet-point station by taking an access tunnel, allowing them to charge and clean their suits, but find that Smith's oxygen source is badly damaged from the debris. As they make their way through the access tunnel, Paul is attacked by an unknown creature and is dragged underwater before being ripped out of his suit and killed. Before leaving the access tunnel, the team discover that Smith's damaged oxygen pod will cause him to have to breathe in toxic fumes from the explosion. Unwilling to leave another crew member behind, Price, Lucien and Haversham agree to help him walk, dragging him if they have to. The remaining four crew members press on and start their walk across the ocean floor, but a humanoid creature appears, dragging Smith into a cave. Lucien manages to pull Smith out, but then tries to go for Smith's bolt gun, allowing the creature an opportunity to drag Lucien up through the water and away from the other three. Price is dragged along with Lucien, but when the creature begins ascending, Lucien sacrifices himself so that Price may escape the increasing change in pressure. Price ends up at the abandoned Shepard Station and finds that Lucien worked there beforehand, causing suspicion as to what Lucien really knew about these creatures and their involvement with the drilling stations. It is also revealed that Lucien's daughter, whom he frequently discusses as a presence in his life, died years ago. Price tries to make contact with Smith and Haversham, but to no avail. She then gets a new pressurized suit and leaves the Shepard, continuing toward the Roebuck. Walking along the ocean floor, Price reunites with Haversham, dragging Smith towards the Roebuck Station, and proceeds to help. As they enter the station, they notice that there is a nest of the humanoid creatures hanging from the ceiling and try to sneak by, but Havershams suit, low on oxygen, begins to make noise, causing one of them to wake up and attack Price. Price is partially swallowed by one of the creatures, but is able to kill it and break free. Before more of the creatures can attack, an enormous creature reveals itself and causes an explosion. Haversham rescues Price and they continue their way into the Roebuck. The three are able to reach the escape pod bay, but Price discovers that only two work, with a third being damaged and unusable. Price and Haversham manage to get an ailing but still alive Smith into one of the pods, and Price eventually convinces Haversham to take the last one. As this is happening, the gigantic alpha creature, which allegedly attacked and destroyed their rig earlier, emerges from around the Roebuck surrounded by even more of the humanoid creatures. The creatures start to follow the two escape pods, while the alpha begins to attack the Roebuck. Price, knowing she is already going to die, raises the energy levels of the core engines so that they explode, killing the creatures and allowing the escape pods to reach the surface. The film ends with images of newspaper articles depicting Tian Industries and their attempts to cover up the incident, which includes keeping Haversham and Smith's testimonies classified. The company goes on to say that they intend to expand their drilling efforts. Cast [ edit] Kristen Stewart as Norah Price Vincent Cassel as Captain Lucien T. Miller as Paul Abel Jessica Henwick as Emily Haversham John Gallagher Jr. as Liam Smith Mamoudou Athie as Rodrigo Nagenda Gunner Wright as Lee Miller Production [ edit] On February 22, 2017, it was announced that Kristen Stewart would star in Underwater, a film to be directed by William Eubank from a screenplay by Brian Duffield and Adam Cozad. It was revealed that principal production would commence the next month. [7] On March 7, 2017, T. Miller and Jessica Henwick joined the cast, and principal production was set to commence later that month in New Orleans. [8] On April 5, 2017, during principal production, Vincent Cassel and Mamoudou Athie joined the cast, 9] and the next day, John Gallagher Jr. was also added. [10] In May 2017, following the end of filming for the film, it was revealed that Gunner Wright was also part of the cast. [11] After shooting the film, the director decided to design the alpha creature based on H. P. Lovecraft 's Cthulhu. [12] Release [ edit] Underwater was released in the United States on January 10, 2020. [13] The film was the last Fox film to be released under the 20th Century Fox name, before its new owner, The Walt Disney Company, changed the name of the studio to 20th Century Studios. [14] Reception [ edit] Box office [ edit] As of February 1, 2020, Underwater has grossed 16. 7 million in the United States and Canada, and 20. 5 million in other territories, for a worldwide total of 37. 2 million. [3] 4] In the United States and Canada, Underwater was released alongside Like a Boss and the expansions of Just Mercy and 1917, and was projected to gross around 8 million in its opening weekend. [15] 2] The film made 2. 7 million on its first day, including 500, 000 from Thursday night previews. It went on to debut to 7 million, finishing seventh at the box office. [1] The film fell 48% in its second weekend to 3. 6 million (and 4. 8 million over the four-day Martin Luther King Jr. Day holiday) finishing eleventh. [16] Critical response [ edit] On review aggregator website Rotten Tomatoes, the film holds an approval rating of 50% based on 148 reviews, with an average rating of 5. 13/10. The site's critical consensus reads. Underwater ' s strong cast and stylish direction aren't enough to distract from the strong sense of déjà vu provoked by this claustrophobic thriller's derivative story. 17] On Metacritic, the film has a weighted average score of 49 out of 100 based on 35 critics, indicating "mixed or average reviews. 18] Audiences polled by CinemaScore gave the film an average grade of "C" on an A+ to F scale, and PostTrak reported it received an average 2 out of 5 stars, with 35% of people saying they would definitely recommend it. [1] References [ edit] a b c D'Alessandro, Anthony (January 10, 2020. 1917' Strong With 36M+ But 'Like A Boss. Just Mercy' Fighting Over 4th With 10M; Why Kristen Stewart's 'Underwater' Went Kerplunk With 7M. Deadline Hollywood. Retrieved January 10, 2020. ^ a b Rubin, Rebecca (January 7, 2020. Will '1917' Get Box Office Boost After Golden Globes Wins. Variety. Retrieved January 8, 2020. ^ a b "Underwater (2020. Box Office Mojo. IMDb. Retrieved February 2, 2020. ^ a b "Underwater (2020. The Numbers. Retrieved February 2, 2020. ^ McNary, Dave (February 22, 2017. Kristen Stewart in Talks to Star in Adventure-Thriller 'Underwater. Retrieved July 10, 2017. ^ Vary, Adam (January 17, 2020. Disney Drops Fox Name, Will Rebrand as 20th Century Studios, Searchlight Pictures. Retrieved January 17, 2020. ^ Busch, Anita (February 22, 2017. Kristen Stewart In Final Negotiations To Star In Fox Movie 'Underwater. Retrieved July 10, 2017. ^ McNary, Dave (March 7, 2017. T. Miller, Jessica Henwick Join Kristen Stewart in Thriller 'Underwater. Retrieved July 10, 2017. ^ Ford, Rebecca (May 4, 2017. Vincent Cassel, Get Down' Star Mamoudou Athie Join 'Underwater. The Hollywood Reporter. Retrieved July 10, 2017. ^ N'Duka, Amanda (April 6, 2017. John Gallagher Jr. Boards Fox's 'Underwater' Dwayne Cameron Joins ' 211. Retrieved July 10, 2017. ^ Wakeman, Gregory (May 22, 2017. Miller Compares Underwater To Two Classic James Cameron Films. CinemaBlend. Retrieved July 10, 2017. ^ Squires, John (January 17, 2020. Spoilers] Underwater' Director Confirms That You Saw What You Thought You Saw in the Final Act. Bloody Disgusting. ^ D'Alessandro, Anthony (May 7, 2019. Disney-Fox Updates Release Schedule: Sets Three Untitled 'Star Wars' Movies, New Mutants' Heads To 2020, Ad Astra' To Open Fall & More. Retrieved May 7, 2019. ^ D'Alessandro, Anthony (January 6, 2020. 1917' Advance Ticket Sales Already Fired Up From Golden Globe Wins As Sam Mendes Pic Sees 25M Opening. Retrieved January 7, 2020. ^ Anthony D'Alessandro (January 19, 2020. Bad Boys For Life' So Great With 100M+ Worldwide; Dolittle' Still A Dud With 57M+ Global – Box Office Update. Retrieved January 19, 2020. ^ Underwater (2020. Rotten Tomatoes. Fandango. Retrieved January 14, 2020. ^ Underwater Reviews. Metacritic. CBS Interactive. Retrieved January 11, 2020. External links [ edit] Official Site on Fox Movies Underwater on IMDb.

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Underwater cleaning service. Edit Storyline Dominic Quesada and Johnny Gray, two SCUBA divers searching for sunken treasure off the coast of Cuba, think they've hit the jackpot when they find a 17th century ship on the sea floor. They need working capital however and Johnny is ready to hock his boat but his wife Theresa thinks they're off on another wild scheme that will leave them all poorer than when they started. She comes around however and are soon joined by Gloria, whose boat they will use and Father Cannon, a university professor and archaeologist. Although Dominic hasn't been completely honest with his partners, they may in fact be in the area of a major treasure ship. When they do find it, the ship is teetering on the edge of a 300 foot cliff and dangerous for even the most experienced divers. Written by garykmcd Plot Summary, Add Synopsis Taglines: COME ON BELOW. to that new, exciting Underwater World! See more  » Details Also Known As: The Big Rainbow Box Office Budget: 3, 500, 000 (estimated) See more on IMDbPro  » Company Credits Technical Specs Sound Mix: Mono (RCA Sound Recording) Color: Color (Technicolor) See full technical specs  » Did You Know? Trivia Director John Sturges never met producer Howard Hughes. they only spoke by phone during the production of the film. See more » Goofs Johnny's narration as they sail to the wreck site includes the following. evening tossed out the stars like shining dice, I could only see the high-priced bangles that hang around Theresa's throat. However Theresa does not wear necklaces when she is on the deck and only once when below. See more » Soundtracks Rhythm Sticks (uncredited) Written and Performed by Dámaso Pérez Prado (as Perez Prado) Y Su Orchestra See more ».

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C"��0W"�Ͽ<�I��O�"��? � �H c�>o� ��9�z}�V�֍d�� 7wN�� ����6w��i<���En�;4������#W�c;��, m⿮j���Vl��V����Q, �s�‚]���s_� C���ý�;c��'�6��(hp�'�G㷶�iع? ��#O���Ǡ��F�/�8SG�Y~f�_ �ZR? ft{����1Du���D��u�B�zT�a���H�TЉy*�v�W�U�K��]�6IM;��u���i[����D �掊) m�} �! ��;�l��5���������u>v� f���϶�S�'�; �� z��o�f׎��Y�=rI�G�������]���ԟ�tG� �nH�5K9��ܜW��wf�V/h������[�^�*���߀H����b�,�R�E�Lf�bL�, �4{ �J�p���D�A9#���ױ1V���C;���z�k��? �< �/Tg&Qx�����<��HN(�>7P����Ï@ƿ�Z; 7Qq���y�������X�A_ bk�Q4�/ �K����1w���׵ ��}ݶH�w B��^��ΐ<��Νh�ɡn��? �:��wK�; �����` k��MB�8�m��_���������; � �A���;ް ߚ⛈�n� ��&� �����L�8�Θqa��&  3�M���z�H�+ ���O��g'������'���䟏�( UG�fA}��7���Qw�m�w]Sh ��oZW�I��Y"U� ���H���! X�n��č�S��D2� l� �S���6�z/wNR>Nyd^2�)�wE^n�x}�O9�O��� �s*��h�? �I=�5�q�cgV��w�n�]�u�b_ 冱���u�g_ e5z�g�-<�Q��Zcmie���Yj�;����2'N��1�t��}a�ZPv ���}Cua(9���n�T(T�x��YXo�i�E��帠2:�D����He��ta~�# k�bR��-��X0C���, �? �YxLX�"v�[�c '� ��hf�8�, �t;���'������u�t%�pf �O��۲��� UM��* E�4�WTB�����.

 

 

 

 

 

Watch Apollo 13 Streaming Online HD 1080p Solar Movies

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1995

Rating=8,1 of 10 Stars

Countries=USA

Ron Howard

Runtime=2 h 20 Min

Apollo 13 Apollo 13's damaged service module, seen from the command module, as it was being jettisoned shortly before reentry Mission type Crewed lunar landing attempt ( H) Operator NASA COSPAR ID 1970-029A SATCAT no. 4371 [1] Mission duration 5 days, 22 hours, 54 minutes, 41 seconds [2] Spacecraft properties Spacecraft Apollo CSM -109 Apollo LM -7 Manufacturer CSM: North American Rockwell LM: Grumman Launch mass 45, 931 kilograms (101, 261 lb) 3] Landing mass 5, 050 kilograms (11, 133 lb) 4] Crew Crew size 3 Members James A. Lovell, Jr. John L. Swigert, Jr. Fred W. Haise, Jr. Callsign CM: Odyssey LM: Aquarius Start of mission Launch date April 11, 1970, 19:13:00  UTC Rocket Saturn V SA-508 Launch site Kennedy LC-39A End of mission Recovered by USS  Iwo Jima Landing date April 17, 1970, 18:07:41  UTC Landing site South Pacific Ocean 2138′24″S 16521′42″W. 21. 64000S 165. 36167W Docking with LM Docking date April 11, 1970, 22:32:08 UTC Undocking date April 17, 1970, 16:43:00 UTC Lovell, Swigert, Haise Apollo program ←  Apollo 12 Apollo 14  → Apollo 13 was the seventh crewed mission in the Apollo space program and the third meant to land on the Moon. The craft was launched from Kennedy Space Center on April 11, 1970, but the lunar landing was aborted after an oxygen tank in the service module (SM) failed two days into the mission. The crew instead looped around the Moon, and returned safely to Earth on April 17. The mission was commanded by Jim Lovell with Jack Swigert as command module (CM) pilot and Fred Haise as lunar module (LM) pilot. Swigert was a late replacement for Ken Mattingly, who was grounded after exposure to rubella. Accidental ignition of damaged wire insulation inside the oxygen tank as it was being routinely stirred caused an explosion that vented the tank's contents. Without oxygen, needed both for breathing and for generating electric power, the SM's propulsion and life support systems could not operate. The CM's systems had to be shut down to conserve its remaining resources for reentry, forcing the crew to transfer to the LM as a lifeboat. With the lunar landing canceled, mission controllers worked to bring the crew home alive. Although the LM was designed to support two men on the lunar surface for two days, Mission Control in Houston improvised new procedures so it could support three men for four days. The crew experienced great hardship caused by limited power, a chilly and wet cabin and a shortage of potable water. There was a critical need to adapt the CM's cartridges for the carbon dioxide removal system to work in the LM; the crew and mission controllers were successful in improvising a solution. The astronauts' peril briefly renewed interest in the Apollo program; tens of millions watched the splashdown in the South Pacific Ocean by television. An investigative review board found fault with preflight testing of the oxygen tank and the fact that Teflon was placed inside it. The board recommended changes, including minimizing the use of potentially combustible items inside the tank; this was done for Apollo 14. The story of Apollo 13 has been dramatized several times, most notably in the 1995 film Apollo 13. Background In 1961, U. S. President John F. Kennedy challenged his nation to land an astronaut on the Moon by the end of the decade, with a safe return to Earth. [5] NASA worked towards this goal incrementally, sending astronauts into space during Project Mercury and Project Gemini, leading up to the Apollo program. [6] The goal was achieved with Apollo 11, which landed on the Moon on July 20, 1969. Neil Armstrong and Buzz Aldrin walked on the lunar surface while Michael Collins orbited the Moon in Command Module Columbia. The mission returned to Earth on July 24, 1969, fulfilling Kennedy's challenge. [5] NASA had contracted for fifteen Saturn V rockets to achieve the goal; at the time no one knew how many missions this would require. [7] Since success was obtained in 1969 with the sixth Saturn   V on Apollo 11, nine rockets remained available for a hoped-for total of ten landings. After the excitement of Apollo 11, the general public grew apathetic towards the space program and Congress continued to cut NASA's budget; Apollo 20 was canceled. [8] Despite the successful lunar landing, the missions were considered so risky that astronauts could not afford life insurance to provide for their families if they died in space. [note 1] 9] Mission Operations Control Room during the TV broadcast just before the Apollo 13 accident. Astronaut Fred Haise is shown on the screen. Even before the first U. astronaut entered space in 1961, planning for a centralized facility to communicate with the spacecraft and monitor its performance had begun, for the most part the brainchild of Christopher C. Kraft, who became NASA's first flight director. During John Glenn 's Mercury Friendship 7 flight in February 1962 (the first crewed orbital flight by the U. Kraft was overruled by NASA managers. He was vindicated by post-mission analysis, and implemented a rule that during the mission, the flight director's word was absolute [10] —to overrule him, NASA would have to fire him on the spot. [11] Flight directors during Apollo had a one-sentence job description, The flight director may take any actions necessary for crew safety and mission success. 12] In 1965, Houston's Mission Control Center opened, in part designed by Kraft and now named for him. [10] In Mission Control, each flight controller, as well as monitoring telemetry from the spacecraft, was in communication via voice loop to specialists in a Staff Support Room (or "back room. who focused on specific spacecraft systems. [11] Apollo 13 was to be the second H mission, meant to demonstrate precision lunar landings and explore specific sites on the Moon. [13] With Kennedy's goal accomplished by Apollo 11, and Apollo 12 demonstrating that the astronauts could perform a precision landing, mission planners were able to focus on more than just landing safely and having astronauts minimally trained in geology gather lunar samples to take home to Earth. There was a greater role for science on Apollo 13, especially for geology, something emphasized by the mission's motto, Ex luna, scientia (From the Moon, knowledge. 14] Astronauts and key Mission Control personnel Swigert, Lovell and Haise the day before launch Apollo 13's mission commander, Jim Lovell, was 42 years old at the time of the spaceflight, which was his fourth and last. He was a graduate of the United States Naval Academy and had been a naval aviator and test pilot before being selected for the second group of astronauts in 1962; he flew with Frank Borman in Gemini 7 in 1965 and Aldrin in Gemini 12 the following year before flying in Apollo 8 in 1968, the first spacecraft to orbit the Moon. [15] Jack Swigert, the command module pilot (CMP) was 38 years old and held a B. in mechanical engineering and an M. in aerospace science; he had served in the Air Force and in state Air National Guards, and was an engineering test pilot before being selected for the fifth group of astronauts in 1966. [16] Fred Haise, the lunar module pilot (LMP) was 35 years old. He held a B. in aeronautical engineering, had been a Marine Corps fighter pilot, and was a civilian research pilot for NASA when he was selected as a Group   5 astronaut. [17] Apollo 13 was Swigert's and Haise's only spaceflight. [18] According to the standard Apollo crew rotation, the prime crew for Apollo 13 would have been the backup crew [note 2] for Apollo 10 with Mercury and Gemini veteran Gordon Cooper in command, Donn F. Eisele as CMP and Edgar Mitchell as LMP. Deke Slayton, NASA's Director of Flight Crew Operations, never intended to rotate Cooper and Eisele to a prime crew assignment, as both were out of favor – Cooper for his lax attitude towards training, and Eisele for incidents aboard Apollo   7 and an extramarital affair. He assigned them to the backup crew because no other veteran astronauts were available. [21] Slayton's original choices for Apollo 13 were Alan Shepard as commander, Stuart Roosa as CMP, and Mitchell as LMP. However, management felt Shepard needed more training time, as he had only recently resumed active status after surgery for an inner ear disorder, and had not flown since 1961. Thus Lovell's crew (himself, Haise and Ken Mattingly) having all backed up Apollo 11 and slated for Apollo 14, was swapped with Shepard's. [21] Swigert was originally CMP of Apollo 13's backup crew, with John Young as commander and Charles Duke as lunar module pilot. [22] Seven days before launch, Duke contracted rubella from a friend of his son. [23] This exposed both the prime and backup crews, who trained together. Of the five, only Mattingly was not immune through prior exposure. Normally, if any member of the prime crew had to be grounded, the remaining crew would be replaced as well, and the backup crew substituted, but Duke's illness ruled this out, 24] so two days before launch, Mattingly was replaced by Swigert. [16] Mattingly never developed rubella and later flew on Apollo 16. [25] For Apollo, a third crew of astronauts, known as the support crew, was designated in addition to the prime and backup crews used on projects Mercury and Gemini. Slayton created the support crews because James McDivitt, who would command Apollo 9, believed that, with preparation going on in facilities across the US, meetings that needed a member of the flight crew would be missed. Support crew members were to assist as directed by the mission commander. [26] Usually low in seniority, they assembled the mission's rules, flight plan, and checklists, and kept them updated; 27] 28] for Apollo 13, they were Vance D. Brand, Jack Lousma and either William R. Pogue or Joseph Kerwin. [note 3] 33] For Apollo 13, flight directors were: Gene Kranz, White team, 34] the lead flight director. 35] 36] Glynn Lunney, Black team; Milt Windler, Maroon team and Gerry Griffin, Gold team. [34] The CAPCOMs (the person in Mission Control, during the Apollo program an astronaut, who was responsible for voice communications with the crew) 37] for Apollo 13 were Kerwin, Brand, Lousma, Young and Mattingly. [38] Mission insignia and call signs The Apollo 13 mission insignia depicts the Greek god of the Sun, Apollo, with three horses pulling his chariot across the face of the Moon, and the Earth seen in the distance. This is meant to symbolize the Apollo flights bringing the light of knowledge to all people. The mission motto, Ex luna, scientia (From the Moon, knowledge) appears. In choosing it, Lovell adapted the motto of his alma mater, the Naval Academy, Ex scientia, trident (From knowledge, sea power. 39] 40] On the patch, the mission number appeared in Roman numerals as Apollo XIII. It did not have to be modified after Mattingly's replacement by Swigert since it is one of only two Apollo mission insignia—the other being Apollo 11—not to include the names of the crew. It was designed by artist Lumen Martin Winter, who based it on a mural he had painted for The St. Regis Hotel in New York City. [41] The mural was later purchased by actor Tom Hanks, 42] who portrayed Lovell in the movie Apollo 13, and is now in the Captain James A. Lovell Federal Health Care Center in Illinois. [43] The mission's motto was in Lovell's mind when he chose the call sign Aquarius for the lunar module, taken from Aquarius, the bringer of water. [44] 45] Some in the media erroneously reported that the call sign was taken from a song by that name from the musical Hair. [45] 46] The command module's call sign, Odyssey, was chosen not only for its Homeric association but to refer to the recent movie, 2001: A Space Odyssey, based on a short story by science fiction author Arthur C. Clarke. [44] In his book, Lovell indicated he chose the name Odyssey because he liked the word and its definition: a long voyage with many changes of fortune. [45] Launch vehicle and spacecraft CSM-109 Odyssey being assembled and tested The Saturn V rocket used to carry Apollo 13 to the Moon was numbered SA-508, and was almost identical to those used on Apollo   8 through 12. [47] Including the spacecraft, the rocket weighed in at 2, 949, 136 kilograms (6, 501, 733 lb. 3] The S-IC stage's engines were rated to generate 440, 000 newtons (100, 000 lbf) less total thrust than Apollo 12's, though they remained within specifications. Extra propellant was carried as a test since future J missions to the Moon would require more propellant for their heavier payloads. This made the vehicle the heaviest yet flown by NASA and Apollo 13 was visibly slower to clear the launch tower than earlier missions. [48] The Apollo 13 spacecraft consisted of Command Module 109 and Service Module 109 (together CSM-109) called Odyssey, and Lunar Module   7 (LM-7) called Aquarius. Also considered part of the spacecraft were the launch escape system which would propel the command module (CM) to safety in the event of a problem during liftoff, and the Spacecraft–LM Adapter, numbered as SLA-16, which housed the lunar module (LM) during the first hours of the mission. [49] 50] The LM stages, CM and service module (SM) were received at Kennedy Space Center (KSC) in June 1969; the portions of the Saturn V were received in June and July. Thereafter, testing and assembly proceeded, culminating with the rollout of the launch vehicle, with the spacecraft atop it, on December 15, 1969. [49] Apollo 13 was originally scheduled for launch on March 12, 1970; in January of that year NASA announced the mission would be postponed until April 11, both to allow more time for planning and to spread the Apollo missions over a longer period of time. [51] The plan was to have two Apollo flights per year, and was in response to budgetary constraints [52] that had recently seen the cancellation of Apollo 20. [53] Training and preparation Lovell practices deploying the flag The Apollo 13 prime crew undertook over 1, 000 hours of mission-specific training, more than five hours for every hour of the mission's ten-day planned duration. Each member of the prime crew spent over 400 hours in simulators of the CM and (for Lovell and Haise) of the LM at KSC and at Houston, some of which involved the flight controllers at Mission Control. [54] Flight controllers participated in many simulations of problems with the spacecraft in flight, which taught them how to react in an emergency. [11] Specialized simulators at other locations were also used by the crew members. [54] The astronauts of Apollo 11 had minimal time for geology training, with only six months between crew assignment and launch; higher priorities took much of their time. [55] Apollo 12 saw more such training, including practice in the field, using a CAPCOM and a simulated backroom of scientists, to whom the astronauts had to describe what they saw. [56] Scientist-astronaut Harrison Schmitt saw that there was limited enthusiasm for geology field trips. Believing an inspirational teacher was needed, Schmitt arranged for Lovell and Haise to meet his old professor, Caltech 's Lee Silver. The two astronauts, and backups Young and Duke, went on a field trip with Silver at their own time and expense. At the end of their week together, Lovell made Silver their geology mentor, who would be extensively involved in the geology planning for Apollo 13. [57] Farouk El-Baz oversaw the training of Mattingly and his backup, Swigert, which involved describing and photographing simulated lunar landmarks from airplanes. [58] El-Baz had all three prime crew astronauts describe geologic features they saw during their flights between Houston and KSC; Mattingly's enthusiasm caused other astronauts, such as Apollo 14's CMP, Roosa, to seek out El-Baz as a teacher. [59] Concerned about how close Apollo 11's LM, Eagle, had come to running out of propellant during its lunar descent, mission planners decided that beginning with Apollo 13, the CSM would bring the LM to the low orbit from which the landing attempt would commence. This was a change from Apollo 11 and 12, on which the LM made the burn to bring it to the lower orbit. The change was part of an effort to increase the amount of hover time available to the astronauts as the missions headed into rougher terrain. [60] The plan was to devote the first of the two four-hour lunar surface extravehicular activities (EVAs) to setting up the Apollo Lunar Surface Experiments Package (ALSEP) group of scientific instruments; during the second, Lovell and Haise would investigate Cone crater, near the planned landing site. [61] The two astronauts wore their spacesuits for some 20 walk-throughs of EVA procedures, including sample gathering and use of tools and other equipment. They flew in the " Vomit Comet " in simulated microgravity or lunar gravity, including practice in donning and doffing spacesuits. To prepare for the descent to the Moon's surface, Lovell flew the Lunar Landing Training Vehicle (LLTV. 62] Despite the fact that four of the five LLTVs and similar Lunar Landing Research Vehicles crashed during the course of the Apollo program, mission commanders considered flying them invaluable experience. [63] Experiments and scientific objectives Lovell (left) and Haise during geology training in Hawaii, January 1970 Apollo 13's designated landing site was near Fra Mauro crater; the Fra Mauro formation was believed to contain much material spattered by the impact that had filled the Imbrium basin early in the Moon's history. Dating it would provide information not only about the Moon, but about the Earth's early history. Such material was likely to be available at Cone crater, a site where an impact was believed to have drilled deep into the lunar regolith. [64] Apollo 11 had left a seismometer on the Moon, but the solar-powered unit did not survive its first two-week-long lunar night. The Apollo 12 astronauts also left one as part of its ALSEP, which was nuclear-powered. [65] Apollo 13 also carried a seismometer (known as the Passive Seismic Experiment, or PSE) similar to Apollo 12's, as part of its ALSEP, to be left on the Moon by the astronauts. [66] That seismometer was to be calibrated by the impact, after jettison, of the ascent stage of Apollo 13's LM, an object of known mass and velocity impacting at a known location. [67] Other ALSEP experiments on Apollo 13 included a Heat Flow Experiment (HFE) which would involve drilling two holes 3. 0 metres (10 ft) deep. [68] This was Haise's responsibility; he was also to drill a third hole of that depth for a core sample. [69] A Charged Particle Lunar Environment Experiment (CPLEE) measured the protons and electrons of solar origin reaching the Moon. [70] The package also included a Lunar Atmosphere Detector (LAD) 71] and a Dust Detector, to measure the accumulation of debris. [72] The Heat Flow Experiment and the CPLEE were flown for the first time on Apollo 13; the other experiments had been flown before. [69] Haise practices removing the fuel capsule from its transport cask mounted on the LM. The real cask sank unopened into the Pacific Ocean with its radioactive contents. To power the ALSEP, the SNAP-27 radioisotope thermoelectric generator (RTG) was flown. Developed by the U. Atomic Energy Commission, SNAP-27 was first flown on Apollo 12. The fuel capsule contained about 3. 79 kilograms (8. 36 lb) of plutonium oxide. The cask placed around the capsule for transport to the Moon was built with heat shields of graphite and of beryllium, and with structural parts of titanium and of Inconel materials. Thus, it was built to withstand the heat of reentry into the Earth's atmosphere rather than pollute the air with plutonium in the event of an aborted mission. [73] A United States flag was also taken, to be erected on the Moon's surface. [74] For Apollo 11 and 12, the flag had been placed in a heat-resistant tube on the front landing leg; it was moved for Apollo 13 to the Modularized Equipment Stowage Assembly (MESA) in the LM descent stage. The structure to fly the flag on the airless Moon was improved from Apollo 12's. [75] Since Lovell and Haise were to undertake longer traverses than on the earlier missions, the tool carrier which the Apollo 12 astronauts had hand-carried was expanded, given two wheels, and dubbed the Modular Equipment Transporter. [76] For the first time, red stripes were placed on the helmet, arms and legs of the commander's A7L spacesuit. This was done as after Apollo 11, those reviewing the images taken had trouble distinguishing Armstrong from Aldrin, but the change was approved too late for Apollo 12. [77] New drink bags that attached inside the helmets and were to be sipped from as the astronauts walked on the Moon were demonstrated by Haise during Apollo 13's final television broadcast before the accident. [78] 79] Apollo 13's primary mission objectives were to: Perform selenological inspection, survey, and sampling of materials in a preselected region of the Fra Mauro Formation. Deploy and activate an Apollo Lunar Surface Experiments Package. Develop man's capability to work in the lunar environment. Obtain photographs of candidate exploration sites. 80] The astronauts were also to accomplish other photographic objectives, including of the Gegenschein from lunar orbit, and of the Moon itself on the journey back to Earth. Some of this photography was to be performed by Swigert as Lovell and Haise walked on the Moon. [81] Swigert was also to take photographs of the Lagrangian points of the Earth-Moon system. Apollo 13 had twelve cameras on board, including those for television and moving pictures. [69] The crew was also to downlink bistatic radar observations of the Moon. None of these was attempted because of the accident. [81] Flight of Apollo 13 The circumlunar trajectory followed by Apollo 13, drawn to scale; the accident occurred about 56 hours into the mission Apollo 13 spacecraft configuration during most of the journey Launch and translunar injection Apollo 13 launches from Kennedy Space Center, April 11, 1970 The mission was launched at the planned time, 2:13:00 pm EST (19:13:00 UTC) on April 11. An anomaly occurred when the second-stage, center (inboard) engine shut down about two minutes early. [82] 83] This was caused by severe pogo oscillations. Starting with Apollo 10, the vehicle's guidance system was designed to shut the engine down in response to chamber pressure excursions. [84] Pogo oscillations had occurred on Titan rockets (used during the Gemini program) and on previous Apollo missions, 85] 86] but on Apollo 13 they were amplified by an interaction with turbopump cavitation. [87] 88] A fix to prevent pogo was ready for the mission, but schedule pressure did not permit the hardware's integration into the Apollo 13 vehicle. [84] 89] A post-flight investigation revealed the engine was one cycle away from catastrophic failure. [84] In spite of the shutdown, the four outboard engines and the S-IVB third stage burned longer to compensate, and the vehicle achieved very close to the planned circular 190 kilometers (100 nmi) parking orbit, followed by a translunar injection (TLI) about two hours later, setting the mission on course for the Moon. [82] 83] After TLI, Swigert performed the separation and transposition maneuvers before docking the CSM Odyssey to the LM Aquarius, and the spacecraft pulled away from the third stage. Ground controllers then sent the third stage on a course to impact the Moon in range of the Apollo 12 seismometer, which it did just over three days into the mission. [91] The crew settled in for the three-day trip to Fra Mauro. At 30:40:50 into the mission, with the TV camera running, the crew performed a burn to place Apollo 13 on a hybrid trajectory. The departure from a free-return trajectory meant that if no further burns were performed, Apollo 13 would miss Earth on its return trajectory, rather than intercept it, as with a free return. [92] A free return trajectory could only reach sites near the lunar equator; a hybrid trajectory, which could be started at any point after TLI, allowed sites with higher latitudes, such as Fra Mauro, to be reached. [93] Communications were enlivened when Swigert realized that in the last-minute rush, he had omitted to file his federal income tax return (due April 15) and amid laughter from mission controllers, asked how he could get an extension. He was found to be entitled to a 60-day extension for being out of the country at the deadline. [94] Entry into the LM to test its systems had been scheduled for 58:00:00; when the crew awoke on the third day of the mission, they were informed it had been moved up three hours and was later moved up again by another hour. A television broadcast was scheduled for 55:00:00; Lovell, acting as emcee, showed the audience the interiors of Odyssey and Aquarius. [95] The audience was limited by the fact that none of the television networks were carrying the broadcast, 96] forcing Marilyn Lovell (Jim Lovell's wife) to go to the VIP room at Mission Control if she wanted to watch her husband and his crewmates. [97] Accident Approximately six and a half minutes after the TV broadcast – approaching 56:00:00 – Apollo 13 was about 180, 000 nautical miles (210, 000 mi; 330, 000 km) from Earth. [98] Haise was completing the shutdown of the LM after testing its systems while Lovell stowed the TV camera. Jack Lousma, the CAPCOM, sent minor instructions to Swigert, including changing the attitude of the craft to facilitate photography of Comet Bennett. [98] 99] The pressure sensor in one of the SM's oxygen tanks had earlier appeared to be malfunctioning, so Sy Liebergot (the EECOM, in charge of monitoring the CSM's electrical system) requested that the stirring fans in the tanks be activated. Normally this was done once daily; this additional stir would destratify the contents of the tanks, making the pressure readings more accurate. [98] The Flight Director, Kranz, had Liebergot wait a few minutes for the crew to settle down after the telecast, 100] then Lousma relayed the request to Swigert, who activated the switches controlling the fans, 98] and after a few seconds turned them off again. [99] Ninety-five seconds after Swigert activated those switches, 100] the astronauts heard a "pretty large bang" accompanied by fluctuations in electrical power and the firing of the attitude control thrusters. [101] 102] Communications and telemetry to Earth were lost for 1. 8 seconds, until the system automatically corrected by switching the high-gain S-band antenna, used for translunar communications, from narrow-beam to wide-beam mode. [103] The accident happened at 55:54:53; Swigert reported 26 seconds later, Okay, Houston, we've had a problem here. echoed at 55:55:42 by Lovell, Houston, we've had a problem. We've had a Main B Bus undervolt. 98] Lovell's initial thought on hearing the noise was that Haise had activated the LM's cabin-repressurization valve, which also produced a bang (Haise enjoyed doing so to startle his crewmates) but Lovell could see that Haise had no idea what had happened. Swigert initially thought that a meteoroid might have struck the LM, but he and Lovell quickly realized there was no leak. [104] The Main Bus B undervolt meant that there was insufficient voltage flowing from the SM's three power cells (fueled by hydrogen and oxygen piped from their respective tanks) to the second of the SM's two power distribution systems. Almost everything in the CSM required power. Although the bus momentarily returned to normal status, soon both buses A and B were short on voltage. Haise checked the status of the fuel cells, and found that two of them were dead. Mission rules forbade entering lunar orbit unless all fuel cells were operational. [105] In the minutes after the accident, there were several unusual readings, showing that tank   2 was empty and tank   1's pressure slowly falling, that the computer on the spacecraft had reset, and that the high-gain antenna was not working. Liebergot initially missed the worrying signs from tank   2 following the stir, as he was focusing on tank   1, believing that its reading would be a good guide to what was present in tank   2; so did controllers supporting him in the "back room. When Kranz questioned Liebergot on this he initially responded that there might be false readings due to an instrumentation problem; he was often teased about that in the years to come. [11] Lovell, looking out the window, reported "a gas of some sort" venting into space, making it clear that there was a serious problem. [106] Since the fuel cells needed oxygen to operate, when Oxygen Tank   1 ran dry, the remaining fuel cell would shut down, meaning the CSM's only significant sources of power and oxygen would be the CM's batteries and its oxygen "surge tank. These would be needed for the final hours of the mission, but the remaining fuel cell, already starved for oxygen, was drawing from the surge tank. Kranz ordered the surge tank isolated, saving its oxygen, but this meant that the remaining fuel cell would die within two hours, as the oxygen in tank   1 was consumed or leaked away. [105] The volume surrounding the spacecraft was filled with myriad small bits of debris from the accident, complicating any efforts to use the stars for navigation. [107] The mission's goal became simply getting the astronauts back to Earth alive. [108] Looping around the Moon This depiction of a direct abort (from a 1966 planning report) contemplates returning from a point much earlier in the mission, and closer to Earth, than where the Apollo 13 accident occurred. The lunar module had charged batteries and full oxygen tanks for use on the lunar surface, so Kranz directed that the astronauts power up the LM and use it as a "lifeboat" 11]  – a scenario anticipated but considered unlikely. [109] Procedures for using the LM in this way had been developed by LM flight controllers after a training simulation for Apollo 10 in which the LM was needed for survival, but could not be powered up in time. [108] Had Apollo 13's accident occurred on the return voyage, with the LM already jettisoned, the astronauts would have died. [110] A key decision was the choice of return path. A "direct abort" would use the SM's main engine (the Service Propulsion System or SPS) to return before reaching the Moon. But the accident could have damaged the SPS, and the fuel cells would have to last at least another hour to meet its power requirements, so Kranz instead decided on a longer route: the spacecraft would swing around the Moon before heading back to Earth. Apollo 13 was on the hybrid trajectory which was to take it to Fra Mauro; it now needed to be brought back to a free return. The LM's Descent Propulsion System (DPS) although not as powerful as the SPS, could do this, but new software for Mission Control's computers needed to be written by technicians as it had never been contemplated that the CSM/LM spacecraft would have to be maneuvered by the DPS. As the CM was being shut down, Lovell copied down its guidance system's orientation information and performed hand calculations to transfer it to the LM's guidance system, which had been turned off; at his request Mission Control checked his figures. [108] 111] At 61:29:43. 49 the DPS burn of 34. 23 seconds took Apollo 13 back to a free return trajectory. [112] The Apollo 13 crew photographed the Moon out of the Lunar Module. The change would get Apollo 13 back to Earth in about four days' time – though with splashdown in the Indian Ocean, where NASA had few recovery forces. Jerry Bostick and other Flight Dynamics Officers (FIDOs) were anxious both to shorten the travel time and to move splashdown to the Pacific Ocean, where the main recovery forces were located. One option would shave 36 hours off the return time, but required jettisoning the SM; this would expose the CM's heat shield to space during the return journey, something for which it had not been designed. The FIDOs also proposed other solutions. After a meeting involving NASA officials and engineers, the senior individual present, Manned Spaceflight Center director Robert R. Gilruth, decided on a burn using the DPS, that would save 12 hours and land Apollo 13 in the Pacific. This "PC+2" burn would take place two hours after pericynthion, the closest approach to the Moon. [108] At pericynthion, Apollo 13 set the record (per the Guinness Book of World Records) which still stands, for the highest absolute altitude attained by a crewed spacecraft: 400, 171 kilometers (248, 655 mi) from Earth at 7:21 pm EST, April 14 (00:21:00 UTC April 15. 113] note 4] While preparing for the burn the crew was told that the S-IVB had impacted the Moon as planned, leading Lovell to quip, Well, at least something worked on this flight. 116] 117] Kranz's White team of mission controllers, which had spent most of their time supporting other teams and developing the procedures urgently needed to get the astronauts home, took their consoles for the PC+2 procedure. [118] Normally, the accuracy of such a burn could be assured by checking the alignment Lovell had transferred to the LM's computer against the position of one of the stars astronauts used for navigation, but the light glinting off the many pieces of debris accompanying the spacecraft made that impractical. The astronauts used the one star available whose position could not be obscured – the Sun. Houston also informed them that the Moon would be centered in the commander's window of the LM as they made the burn, which was almost perfect – less than 0. 3 meters (a foot) per second off. [116] The burn, at 79:27:38. 95, lasted four minutes, 23 seconds. [119] The crew then shut down most LM systems to conserve consumables. [116] Return to earth Swigert with the rig improvised to adapt the CM's lithium hydroxide canisters for use in the LM The LM carried enough oxygen, but that still left the problem of removing carbon dioxide, which was absorbed by canisters of lithium hydroxide pellets. The LM's stock of canisters, meant to accommodate two astronauts for 45 hours on the Moon, was not enough to support three astronauts for the return journey to Earth. [120] The CM had enough canisters, but they were the wrong shape and size to work in the LM's equipment. Engineers on the ground devised a way to bridge the gap, using plastic, covers ripped from procedures manuals, duct tape, and other items. [121] 122] NASA engineers referred to the improvised device as "the mailbox. The procedure for building the device was read to the crew by CAPCOM Joe Kerwin over the course of an hour, and it was built by Swigert and Haise; carbon dioxide levels began dropping immediately. Lovell later described this improvisation as "a fine example of cooperation between ground and space. 123] Lovell tries to rest in the frigid spacecraft The CSM's electricity came from fuel cells that produced water as a byproduct, but the LM was powered by silver-zinc batteries, so both electrical power and water (needed for equipment cooling as well as drinking) would be critical. LM power consumption was reduced to the lowest level possible; 124] Swigert was able to fill some drinking bags with water from the CM's water tap, 116] but even assuming rationing of personal consumption, Haise initially calculated they would run out of water for cooling about five hours before reentry. This seemed acceptable because the systems of Apollo 11's LM, once jettisoned in lunar orbit, had continued to operate for seven to eight hours even with the water cut off. In the end, Apollo 13 returned to Earth with 12. 8 kilograms (28. 2 lb) of water remaining. [125] The crew's ration was 0. 2 liters of water per person per day; the three astronauts lost a total of 14 kilograms (31 lb) among them, and Haise developed a urinary tract infection. [126] 127] Apollo 13: Houston, We've Got a Problem (1970) — Documentary about the mission by NASA (28:21) Inside the darkened spacecraft, the temperature dropped as low as 3 C (38 F. Lovell considered having the crew don their spacesuits, but decided this would be too hot. Instead, Lovell and Haise wore their lunar EVA boots and Swigert put on an extra coverall. All three astronauts were cold, especially Swigert, who had got his feet wet while filling the water bags and had no lunar overshoes (since he had not been scheduled to walk on the Moon. As they had been told not to discharge their urine to space to avoid disturbing the trajectory, they had to store it in bags. Water condensed on the walls, though any condensation there may have been behind equipment panels [128] caused no problems, partly because of the extensive electrical insulation improvements instituted after the Apollo 1 fire. [129] Despite all this the crew voiced few complaints. [130] Flight controller John Aaron, along with Mattingly and several engineers and designers, devised a procedure for powering up the command module from full shutdown – something never intended to be done in flight, much less under Apollo 13's severe power and time constraints. [131] The astronauts implemented the procedure without apparent difficulty: Kranz later credited the fact that all three astronauts had been test pilots, accustomed to having to work in critical situations with their lives on the line, for their survival. [130] Reentry and splashdown Despite the accuracy of the transearth injection, the spacecraft slowly drifted off course, necessitating a correction. As the LM's guidance system had been shut down following the PC+2 burn, the crew was told to use the line between night and day on the Earth to guide them, a technique used on NASA's earth-orbit missions but never on the way back from the Moon. [130] This DPS burn, at 105:18:42 for 14 seconds, brought the projected entry flight path angle back within safe limits. Nevertheless, yet another burn was needed at 137:40:13, using the LM's reaction control system (RCS) thrusters, for 21. 5 seconds. The SM was jettisoned less than half an hour later, allowing the crew to see the damage for the first time, and photograph it. They reported that an entire panel was missing from the SM's exterior, the fuel cells above the oxygen tank shelf were tilted, that the high-gain antenna was damaged, and there was a considerable amount of debris elsewhere. [132] Haise could see damage to the SM's engine bell, validating Kranz's decision not to use the SPS. [130] Apollo 13 splashes down in the South Pacific on April 17, 1970 The last problem to be solved was how to separate the lunar module a safe distance away from the command module just before reentry. The normal procedure, in lunar orbit, was to release the LM then use the service module's RCS to pull the CSM away, but by this point the SM had already been released. Grumman, manufacturer of the LM, assigned a team of University of Toronto engineers, led by senior scientist Bernard Etkin, to solve the problem of how much air pressure to use to push the modules apart. The astronauts applied the solution, which was successful. [133] The LM reentered Earth's atmosphere and was destroyed, the remaining pieces falling in the deep ocean. [134] 135] Apollo 13's final midcourse correction had addressed the concerns of the Atomic Energy Commission, which wanted the cask containing the plutonium oxide intended for the SNAP-27 RTG to land in a safe place. The impact point was over the Tonga Trench in the Pacific, one of its deepest points, and the cask sank 10 kilometers (6 mi) to the bottom. Later helicopter surveys found no radioactive leakage. [130] Ionization of the air around the command module during reentry would typically cause a four-minute communications blackout. Apollo 13's shallow reentry path lengthened this to six minutes, longer than had been expected; controllers feared that the CM's heat shield had failed. [136] Odyssey regained radio contact and splashed down safely in the South Pacific Ocean, 2138′24″S 16521′42″W. 21. 36167W, 137] southeast of American Samoa and 6. 5 km (3. 5 nmi) from the recovery ship, USS Iwo Jima. [138] Although fatigued, the crew was in good condition except for Haise, who was suffering from a serious urinary tract infection because of insufficient water intake. [127] The crew stayed overnight on the ship and flew to Pago Pago, Samoa, the next day. They flew to Hawaii, where President Richard Nixon awarded them the Presidential Medal of Freedom, the highest civilian honor. [139] They stayed overnight, and then were flown back to Houston. [140] En route to Honolulu, President Nixon stopped at Houston to award the Presidential Medal of Freedom to the Apollo 13 Mission Operations Team. [141] He originally planned to give the award to NASA administrator Dr. Thomas O. Paine, but Paine recommended the mission operations team. [142] Public and media reaction Nobody believes me, but during this six-day odyssey we had no idea what an impression Apollo 13 made on the people of Earth. We never dreamed a billion people were following us on television and radio, and reading about us in banner headlines of every newspaper published. We still missed the point on board the carrier Iwo Jima, which picked us up, because the sailors had been as remote from the media as we were. Only when we reached Honolulu did we comprehend our impact: there we found President Nixon and [NASA Administrator] Dr. Paine to meet us, along with my wife Marilyn, Fred's wife Mary (who being pregnant, also had a doctor along just in case) and bachelor Jack's parents, in lieu of his usual airline stewardesses. —  Jim Lovell [127] Worldwide interest in the Apollo program was reawakened by the incident; television coverage of which was seen by millions. Four Soviet ships headed toward the landing area to assist if needed, 143] and other nations offered assistance should the craft have to splash down elsewhere. [144] President Nixon canceled appointments, phoned the astronauts' families, and drove to NASA's Goddard Space Flight Center in Greenbelt, Maryland, where Apollo's tracking and communications were coordinated. [143] The rescue received more public attention than any spaceflight to that point, other than the first Moon landing on Apollo 11. There were worldwide headlines, and people surrounded television sets to get the latest developments, offered by networks who interrupted their regular programming for bulletins. Pope Paul VI led a congregation of 10, 000 people in praying for the astronauts' safe return; ten times that number offered prayers at a religious festival in India. [145] The United States Senate on April 14 passed a resolution urging businesses to pause at 9:00   pm local time that evening to allow for employee prayer. [143] An estimated 40 million Americans watched Apollo 13's splashdown, carried live on all three networks, with another 30 million watching some portion of the six and one-half hour telecast. Even more outside the U. watched. Jack Gould of The New York Times stated that Apollo 13, which came so close to tragic disaster, in all probability united the world in mutual concern more fully than another successful landing on the Moon would have. 146] Investigation and response Review board Oxygen tank number 2, showing heater and thermostat unit Immediately upon the crew's return, NASA Administrator Paine and Deputy Administrator George Low appointed a review board – chaired by NASA Langley Research Center Director Edgar M. Cortright and including Neil Armstrong and six others [note 5]  – to investigate the accident. The board's final report, sent to Paine on June 15, 148] found that the failure began in the service module's number   2 oxygen tank. [149] Damaged Teflon insulation on the wires to the stirring fan inside Oxygen Tank   2 allowed the wires to short-circuit and ignite this insulation. The resulting fire quickly increased pressure inside the tank and the tank dome failed, filling the fuel cell bay (SM Sector   4) with rapidly expanding gaseous oxygen and combustion products. The escaping gas was probably enough by itself to blow out the aluminum exterior panel to Sector   4, but combustion products generated as nearby insulation ignited would have added to the pressure. The panel's departure exposed the sector to space, snuffing out the fire, and it probably hit the nearby high-gain antenna, disrupting communications to Earth for 1. 8 seconds. [150] The sectors of the SM were not airtight from each other, and had there been time for the entire SM to become as pressurized as Sector   4, the force on the CM's heat shield would have separated the two modules. The report questioned the use of Teflon and other materials shown to be flammable in supercritical oxygen, such as aluminum, within the tank. [151] The board found no evidence pointing to any other theory of the accident. [152] Mechanical shock forced the oxygen valves closed on the number   1 and number   3 fuel cells, putting them out of commission. [153] The sudden failure of Oxygen Tank   2 compromised Oxygen Tank   1, causing its contents to leak out, possibly through a damaged line or valve, over the next 130 minutes, entirely depleting the SM's oxygen supply. [154] 155] With both SM oxygen tanks emptying, and with other damage to the SM, the mission had to be aborted. [156] The board praised the response to the emergency, The imperfection in Apollo 13 constituted a near disaster, averted only by outstanding performance on the part of the crew and the ground control team which supported them. 157] Oxygen Tank 2 was manufactured by the Beech Aircraft Company of Boulder, Colorado, as subcontractor to North American Rockwell (NAR) of Downey, California, prime contractor for the CSM. [158] It contained two thermostatic switches, originally designed for the command module's 28-volt DC power, but which could fail if subjected to the 65 volts used during ground testing at KSC. [159] Under the original 1962 specifications, the switches would be rated for 28 volts, but revised specifications issued in 1965 called for 65 volts to allow for quicker tank pressurization at KSC. Nonetheless, the switches Beech used were not rated for 65 volts. [160] Panel similar to the SM Sector   4 cover being ejected during a test performed as part of the investigation At NAR's facility, Oxygen Tank 2 had been originally installed in an oxygen shelf placed in the Apollo 10 service module, SM-106, but which was removed to fix a potential electromagnetic interference problem and another shelf substituted. During removal, the shelf was accidentally dropped at least 5 centimeters (2 in) because a retaining bolt had not been removed. The probability of damage from this was low, but it is possible that the fill line assembly was loose and made worse by the fall. After some retesting (which did not include filling the tank with liquid oxygen) in November 1968 the shelf was re-installed in SM-109, intended for Apollo 13, which was shipped to KSC in June 1969. [161] The Countdown Demonstration Test took place with SM-109 in its place near the top of the Saturn V and began on March 16, 1970. During the test, the cryogenic tanks were filled, but Oxygen Tank 2 could not be emptied through the normal drain line, and a report was written documenting the problem. After discussion among NASA and the contractors, attempts to empty the tank resumed on March 27. When it would not empty normally, the heaters in the tank were turned on to boil off the oxygen. The thermostatic switches were designed to prevent the heaters from raising the temperature higher than 27 C (80 F) but they failed under the 65-volt power supply applied. Temperatures on the heater tube within the tank may have reached 540 C (1, 000 F) most likely damaging the Teflon insulation. [159] The temperature gauge was not designed to read higher than 29 C (85 F) so the technician monitoring the procedure detected nothing unusual. This heating had been approved by Lovell and Mattingly of the prime crew, as well as by NASA managers and engineers. [162] 163] Replacement of the tank would have delayed the mission by at least a month. [126] The tank was filled with liquid oxygen again before launch; once electric power was connected, it was in a hazardous condition. [156] The board found that Swigert's activation of the Oxygen Tank   2 fan at the request of Mission Control caused an electrical arc that set the tank on fire. [164] The board conducted a test of an oxygen tank rigged with hot-wire ignitors that caused a rapid rise in temperature within the tank, after which it failed, producing telemetry similar to that seen with the Apollo 13 Oxygen Tank 2. [165] Tests with panels similar to the one that was seen to be missing on SM Sector   4 caused separation of the panel in the test apparatus. [166] Changes in response Redesigned oxygen tank for Apollo   14 For Apollo 14 and subsequent missions, the oxygen tank was redesigned, the thermostats being upgraded to handle the proper voltage. The heaters were retained since they were necessary to maintain oxygen pressure. The stirring fans, with their unsealed motors, were removed, which meant the oxygen quantity gauge was no longer accurate. This required adding a third tank so that no tank would go below half full. [167] The third tank was placed in Bay   1 of the SM, on the side opposite the other two, and was given an isolation valve that could isolate it from the fuel cells and from the other two oxygen tanks in an emergency, and allow it to feed the CM's environmental system only. The quantity probe was upgraded from aluminum to stainless steel. [168] All electrical wiring in Bay   4 was sheathed in stainless steel. The fuel cell oxygen supply valves were redesigned to isolate the Teflon-coated wiring from the oxygen. The spacecraft and Mission Control monitoring systems were modified to give more immediate and visible warnings of anomalies. [167] An emergency supply of 19 litres (5 US gal) of water was stored in the CM, and an emergency battery, identical to those that powered the LM's descent stage, was placed in the SM. The LM was modified to make transfer of power from LM to CM easier. [169] Devices were placed in the S-II second stage to counteract pogo oscillations. [170] Aftermath On February 5, 1971, Apollo 14 's LM, Antares, landed on the Moon with astronauts Alan Shepard and Edgar Mitchell aboard, near Fra Mauro, the site Apollo 13 had been intended to explore. [171] Haise served as CAPCOM during the descent to the Moon, 172] and during the second EVA, during which Shepard and Mitchell explored near Cone crater. [173] None of the Apollo 13 astronauts flew in space again. Lovell retired from NASA and the Navy in 1973, entering the private sector. [174] Swigert was to have flown on the Apollo-Soyuz Test Project (the first joint mission with the Soviet Union) but was removed as part of the fallout from the Apollo 15 postal covers incident. He took a leave of absence from NASA in 1973 and left the agency to enter politics, being elected to the House of Representatives in 1982, but died of cancer before he could be sworn in. [175] Haise was slated to have been the commander of the canceled Apollo 19 mission, and flew the Space Shuttle Approach and Landing Tests before retiring from NASA in 1979. [176] Several experiments were completed even though the mission did not land on the Moon. [177] One involved the launch vehicle's S-IVB (the Saturn V's third stage) which on prior missions had been sent into solar orbit once detached. The seismometer left by Apollo 12 had detected frequent impacts of small objects onto the Moon, but larger impacts would yield more information about the Moon's crust, so it was decided that beginning with Apollo 13, the S-IVB would be crashed into the Moon. [178] The impact occurred at 77:56:40 into the mission and produced enough energy that the gain on the seismometer, 117 kilometers (73 mi) from the impact, had to be reduced. [91] An experiment to measure the amount of atmospheric electrical phenomena during the ascent to orbit – added after Apollo 12 was struck by lightning – returned data indicating a heightened risk during marginal weather. A series of photographs of Earth, taken to test whether cloud height could be determined from synchronous satellites, achieved the desired results. [177] The Apollo 13 command module Odyssey on display at the Cosmosphere in Hutchinson, Kansas The CM's interior components were removed during the investigation of the accident and reassembled into boilerplate BP-1102A, the water egress training module, which was subsequently on display at the Museum of Natural History and Science in Louisville, Kentucky, until 2000. Meanwhile, the exterior shell was displayed at the Musée de l'air et de l'espace, in Paris. The command module shell and the internal components were reassembled, and Odyssey is currently on display at the Cosmosphere in Hutchinson, Kansas. [179] Apollo 13 was called a "successful failure" by Lovell. [180] It has been repeatedly called, NASA's finest hour. 181] 182] 183] 184] Author Colin Burgess wrote, the life-or-death flight of Apollo 13 dramatically evinced the colossal risks inherent in manned spaceflight. Then, with the crew safely back on Earth, public apathy set in once again. 185] William R. Compton, in his book about the Apollo Program, said of Apollo 13, Only a heroic effort of real-time improvisation by mission operations teams saved the crew. 186] Rick Houston and Milt Heflin, in their history of Mission Control, stated, Apollo 13 proved mission control could bring those space voyagers back home again when their lives were on the line. 187] Former NASA chief historian Roger D. Launius wrote, More than any other incident in the history of spaceflight, recovery from this accident solidified the worlds belief in NASAs capabilities. 188] Nevertheless, the accident convinced some officials, such as Manned Spaceflight Center director Gilruth, that if NASA kept sending astronauts on Apollo missions, some would inevitably be killed, and they called for as quick an end as possible to the program. [188] Nixon's advisers recommended canceling the remaining lunar missions, saying that a disaster in space would cost him political capital. [189] Budget cuts made such a decision easier, and during the pause after Apollo 13, two missions were canceled, meaning that the program ended with Apollo 17 in December 1972. [188] 190] Popular culture and media Command module replica used during Apollo 13 filming The 1974 movie Houston, We've Got a Problem, while set around the Apollo 13 incident, is a fictional drama about the crises faced by ground personnel when the emergency disrupts their work schedules and places further stress on their lives. Lovell publicly complained about the movie, saying it was "fictitious and in poor taste. 191] 192] Houston. We've Got a Problem" was the title of an episode of the BBC documentary series A Life At Stake, broadcast in March 1978. This was an accurate, if simplified, reconstruction of the events. [193] In 1994, during the 25th anniversary of Apollo 11, PBS released a 90-minute documentary titled Apollo 13: To the Edge and Back. [194] 195] Following the flight, the crew planned to write a book, but they all left NASA without starting it. After Lovell retired in 1991, he was approached by journalist Jeffrey Kluger about writing a non-fiction account of the mission. Swigert died in 1982 and Haise was no longer interested in such a project. The resultant book, Lost Moon: The Perilous Voyage of Apollo 13, was published in 1994. [196] The next year, in 1995, a film adaptation of the book, Apollo 13, was released, directed by Ron Howard and starring Tom Hanks as Lovell, Bill Paxton as Haise, Kevin Bacon as Swigert, Gary Sinise as Mattingly, Ed Harris as Kranz, and Kathleen Quinlan as Marilyn Lovell. James Lovell, Kranz, and other principals have stated that this film depicted the events of the mission with reasonable accuracy, given that some dramatic license was taken. For example, the film changes the tense of Lovell's famous follow-up to Swigert's original words from, Houston, we've had a problem" to " Houston, we have a problem. 98] 197] The film also invented the phrase " Failure is not an option. uttered by Harris as Kranz in the film; the phrase became so closely associated with Kranz that he used it for the title of his 2000 autobiography. [197] The film won two of the nine Academy Awards it was nominated for, Best Film Editing and Best Sound. [198] 199] In the 1998 miniseries From the Earth to the Moon, co-produced by Hanks and Howard, the mission is dramatized in the episode "We Interrupt This Program. Rather than showing the incident from the crew's perspective as in the Apollo 13 feature film, it is instead presented from an Earth-bound perspective of television reporters competing for coverage of the event. [200] Gallery Lovell practices deploying the ALSEP during training The Apollo 13 launch vehicle being rolled out, December 1969 Lunar module Aquarius after it was jettisoned above the Earth Mission Control celebrates the successful splashdown The crew speaking with President Nixon shortly after their return Replica of the lunar plaque with Swigert's name that was to cover the one attached to Aquarius with Mattingly's name Notes ^ No Apollo astronaut flew without life insurance, but the policies were paid for by private third parties whose involvement was not publicized. [9] The role of the backup crew was to train and be prepared to fly in the event something happened to the prime crew. [19] Backup crews, according to the rotation, were assigned as the prime crew three missions after their assignment as backups. [20] Some sources list Kerwin [29] and others list Pogue as the third member [30] 31] 32] The record was set because the Moon was nearly at its furthest from Earth during the mission. Apollo 13's unique free return trajectory caused it to go approximately 100 kilometers (60 mi) further from the lunar far side than other Apollo lunar missions, but this was a minor contribution to the record. [114] A reconstruction of the trajectory by astrodynamicist Daniel Adamo in 2009 records the furthest distance as 400, 046 kilometers (248, 577 mi) at 7:34 pm EST (00:34:13 UTC. Apollo 10 holds the record for second-furthest at a distance of 399, 806 kilometers (248, 428 mi. 115] The others were Robert F. Allnutt (Assistant to the Administrator, NASA Hqs. Dr. John F. Clark (Director, Goddard Space Flight Center) Brig. General Walter R. Hedrick Jr. (Director of Space, DCS/RED, Hqs., USAF) Vincent L. 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Apollo 13 – NASA's 'successful failure. PDF. Lagniappe. Hancock County, Mississippi: John C. Stennis Space Center. 5 (4) 5–7. Retrieved July 4, 2013. ^ Seil, Bill (July 5, 2005. NASA's Finest Hour: Sy Liebergot recalls the race to save Apollo 13" PDF. Boeing News Now. Boeing Company. Archived from the original (PDF) on April 9, 2012. ^ Chaikin 1998, p. 335. ^ Burgess 2019, p. 23. ^ Compton 1989, pp. 196–199. ^ Houston, Heflin & Aaron 2015, p. 199. ^ a b c Launius 2019, p. 187. ^ Chaikin 1998, p. 336. ^ Burgess 2019, pp. 22–27. ^ Apollo 13 Movie Irks Lovell. The South Bend Tribune. South Bend, Indiana. February 28, 1974. p. 5 – via ^ Rosenwald, Michael S. (April 13, 2017. Houston, we have a problem' The amazing history of the iconic Apollo 13 misquote. The Washington Post. Archived from the original on May 21, 2019. ^ Meades, Jonathan (March 26, 1978. The Week in View. The Observer. London, England. p. 29 – via ^ Wednesday Highlights. TV Week. Chicago, Illinois. July 17, 1994. p. 25 – via ^ Space Specials at a Glance. Florida Today. Cocoa, Florida. p. 3 – via ^ Dunn, Marcia (December 11, 1994. Lovell Describes the Dark Side of Moon Shots. The Post-Crescent. Appleton, Wisconsin. p. F-8 – via ^ a b Granath, Bob (April 17, 2015. Retrieved July 1, 2019. ^ The Winners. The Herald-Palladium. Saint Joseph, Michigan. March 26, 1996. p. 4B – via ^ Barnes, Harper (February 14, 1996. Braveheart. Apollo 13' Lead Oscar Nominees. St. Louis Post Dispatch. Louis, Missouri. p. 4A – via ^ Sterngold, James (April 5, 1998. Tom Hanks Flies us to the Moon via HBO. Santa Cruz Sentinel. Santa Cruz, California. p. C-6 – via Sources Adamo, Daniel (2009. The Elusive Human Maximum Altitude Record. Quest: The History of Spaceflight Quarterly. Vol. 16 no. 4. ISSN   1065-7738. Apollo 13 Press Kit (PDF. NASA. 1970. 70-50K. Apollo 14 Press Kit (PDF. 1971. 71-3K. Apollo Program Summary Report (PDF) Report. National Aeronautics and Space Administration. 1975. JSC-09423. Barell, John (2016. Antarctic Adventures: Life Lessons from Polar Explorers. Balboa Press. ISBN   978-1-5043-6651-9. Benson, Charles D. Faherty, William Barnaby (1978. Moonport: A History of Apollo Launch Facilities and Operations (PDF. NASA History Series. SP-4204. Brooks, Courtney G. Grimwood, James M. Swenson, Loyd S. Jr. (1979. Chariots for Apollo: A History of Manned Lunar Spacecraft (PDF. Scientific and Technical Information Branch, NASA. ISBN   978-0-486-46756-6. LCCN   79001042. OCLC   4664449. NASA SP-4205. Burgess, Colin (2019. Shattered Dreams: The Lost and Canceled Space Missions (eBook ed. Lincoln, Nebraska: University of Nebraska Press. ISBN   978-1-4962-1422-5. Chaikin, Andrew (1998) 1994. A Man on the Moon: The Voyages of the Apollo Astronauts. New York: Penguin Books. ISBN   978-0-14-024146-4. Compton, William David (1989. Where No Man has Gone Before: A History of Apollo Lunar Exploration Missions. OCLC   1045558568. SP-4214. Cooper, Henry S. F. (2013) 1972. Thirteen: The Apollo Mission that Failed. New York: Open Road Integrated Media, Inc. ISBN   978-1-4804-6221-2. Cortright, Edgar M. (June 15, 1970. Report of Apollo 13 Review Board (PDF. NASA. Report of Apollo 13 Review Board, appendix F–H (PDF. Driscoll, Everly (April 4, 1970. Apollo 13 to the highlands. Science News. 97 (14) 353–355. doi: 10. 2307/3954891. JSTOR   3954891. (subscription required) Flight Control Division (April 1970. Mission Operations Report (PDF. Houston, Texas: NASA Manned Spacecraft Center. Gatland, Kenneth (1976. Manned Spacecraft (Second ed. New York: MacMillan. ISBN   978-0-02-542820-1. Glenday, Craig, ed. (2010. Guinness World Records 2010. New York: Bantam Books. ISBN   978-0-553-59337-2. Harland, David (1999. Exploring the Moon: The Apollo Expeditions. London; New York: Springer. ISBN   978-1-85233-099-6. Houston, Rick; Heflin, J. Milt; Aaron, John (2015. Go, Flight. the Unsung Heroes of Mission Control, 1965–1992 (eBook ed. ISBN   978-0-8032-8494-4. Houston, We've Got a Problem (PDF. NASA Office of Public Affairs. EP-76. Kranz, Gene (2000. Failure Is Not an Option: Mission Control from Mercury to Apollo 13 and Beyond. New York: Simon & Schuster. ISBN   978-0-7432-0079-0. Larsen, Curtis E. (May 22, 2008. NASA Experience with Pogo in Human Spaceflight Vehicles (PDF. NATO RTO Symposium ATV-152 on Limit-Cycle Oscillations and Other Amplitude-Limited, Self-Excited Vibrations. NASA Johnson Space Center. Norway. RTO-MP-AVT-152. Lattimer, Dick (1988) 1983. All We Did Was Fly to the Moon. History-alive series. 1. Foreword by James A. Michener (2nd ed. Gainesville, Florida: Whispering Eagle Press. ISBN   978-0-9611228-0-5. LCCN   85222271. Launius, Roger D. (2019. Reaching for the Moon: A Short History of the Space Race (eBook ed. New Haven, Connecticut: Yale University Press. ISBN   978-0-300-24516-5. Lovell, James A. (1975. Chapter 13: Houston, We've Had a Problem. PDF. In Cortright, Edgar M. (ed. Apollo Expeditions to the Moon (PDF. SP-350. Lovell, Jim; Kluger, Jeffrey (2000) 1994. Lost Moon: The Perilous Voyage of Apollo 13. Boston: Houghton Mifflin. ISBN   978-0-618-05665-1. Mission Evaluation Team (September 1970. Apollo 13 Mission Report (PDF. Houston, Texas: NASA Manned Spacecraft Center. MSC-02680. Morgan, Clay (2001. Shuttle–Mir (PDF. SP-4225. Orloff, Richard W. Harland, David M. (2006. Apollo: The Definitive Sourcebook. Chichester, UK: Praxis Publishing Company. ISBN   978-0-387-30043-6. Orloff, Richard W. (2000. Apollo by the Numbers: A Statistical Reference (PDF. NASA History Division, Office of Policy and Plans. ISBN   978-0-16-050631-4. LCCN   00061677. OCLC   829406439. NASA SP-2000-4029. Phinney, William C. (2015. Science Training History of the Apollo Astronauts (PDF. SP-2015-626. Slayton, Donald K. "Deke" Cassutt, Michael (1994. Deke! U. Manned Space: From Mercury to the Shuttle (1st ed. New York: Forge. ISBN   978-0-312-85503-1. Turnill, Reginald (2003. The Moonlandings: An Eyewitness Account. New York: Cambridge University Press. ISBN   978-0-521-03535-4. External links Wikimedia Commons has media related to Apollo 13. Wikiquote has quotations related to: Apollo 13 NASA reports "Apollo 13: Lunar exploration experiments and photography summary" Original mission as planned) PDF) NASA, February 1970 "Apollo 13 Technical Air-to-Ground Voice Transcription" PDF) NASA, April 1970 Multimedia "Space Educators' Handbook Apollo 13" at NASA "Apollo 13: LIFE With the Lovell Family During 'NASA's Finest Hour' – slideshow by Life magazine "Apollo 13: NASA's Finest Hour" – slideshow by Life magazine at the Internet Archive.

 

Once you select Rent you'll have 14 days to start watching the movie and 24 hours to finish it. Overview System Requirements Reviews Related Available on Xbox One HoloLens PC Mobile device Xbox 360 Description Stranded 205, 000 miles from Earth in a crippled spacecraft, astronauts Jim Lovell (Hanks) Fred Haise (Paxton) and Jack Swigert (Bacon) fight a desperate battle to survive. Meanwhile, at mission control, astronaut Ken Mattingly (Sinise) flight director Gene Kranz (Harris) and a heroic ground crew race against time - and the odds - to bring them home. Additional information Genres Action/Adventure Drama Size 8. 34 GB (1080p HD) 4. 43 GB (720p HD) 2. 96 GB (SD) Portions of content provided by Tivo Corporation. 2020 Tivo Corporation.

Watch apollo 13 film online. Watch apollo 13 free online full movie. Watch apollo 13 megashare. Apollo 13 Theatrical release poster Directed by Ron Howard Produced by Brian Grazer Screenplay by William Broyles Jr. Al Reinert Based on Lost Moon by Jim Lovell Jeffrey Kluger Starring Tom Hanks Kevin Bacon Bill Paxton Gary Sinise Ed Harris Kathleen Quinlan Music by James Horner Cinematography Dean Cundey Edited by Daniel P. Hanley Mike Hill Production company Imagine Entertainment Distributed by Universal Pictures Release date June 30, 1995 (United States) Running time 140 minutes Country United States Language English Budget 52 million [1] Box office 355. 2 million [2] Apollo 13 is a 1995 American space docudrama film directed by Ron Howard and starring Tom Hanks, Kevin Bacon, Bill Paxton, Gary Sinise, and Ed Harris. The screenplay by William Broyles Jr. and Al Reinert dramatizes the aborted 1970 Apollo 13 lunar mission and is an adaptation of the book Lost Moon: The Perilous Voyage of Apollo 13 by astronaut Jim Lovell and Jeffrey Kluger. The film depicts astronauts Lovell, Jack Swigert, and Fred Haise aboard Apollo 13 for America's third Moon landing mission. En route, an on-board explosion deprives their spacecraft of most of its oxygen supply and electric power, forcing NASA 's flight controllers to abort the Moon landing, and turning the mission into a struggle to get the three men home safely. Howard went to great lengths to create a technically accurate movie, employing NASA 's technical assistance in astronaut and flight controller training for his cast, and obtaining permission to film scenes aboard a reduced gravity aircraft for realistic depiction of the " weightlessness " experienced by the astronauts in space. Released to cinemas in the United States on June 30, 1995, 3] Apollo 13 was nominated for nine Academy Awards, including Best Picture (winning for Best Film Editing and Best Sound. 4] In total, the film grossed over 355 million worldwide during its theatrical releases. The film was very positively received by critics. Plot [ edit] In July 1969, astronaut Jim Lovell hosts a house party where guests watch Neil Armstrong 's televised first human steps on the Moon. Afterwards Lovell, who had orbited the Moon on Apollo 8, tells his wife Marilyn that he intends to return to the Moon to walk on its surface. Three months later, as Lovell conducts a VIP tour of NASA's Vertical Assembly Building, his boss Deke Slayton informs him that because of problems with Alan Shepard 's crew, his crew will fly Apollo 13 instead of 14. Lovell, Ken Mattingly, and Fred Haise train for their new mission. A few days before launch, Mattingly is exposed to German Measles, and the flight surgeon demands his replacement with Mattingly's backup, Jack Swigert. Lovell resists breaking up his team, but relents when Slayton threatens to bump his crew to a later mission. As the launch date approaches, Marilyn has a nightmare about her husband getting killed in space, but goes to the Kennedy Space Center the night before launch to see him off. On April 11, 1970, Flight Director Gene Kranz gives the go-ahead from Houston's Mission Control Center for the Apollo 13 launch. As the Saturn V rocket climbs through the atmosphere, a second stage engine cuts off prematurely, but the craft reaches its Earth parking orbit. After the third stage fires to send Apollo 13 to the Moon, Swigert performs the maneuver to connect the command module Odyssey to the Lunar Module Aquarius and pull it away from the spent rocket. Three days into the mission, the crew makes a television transmission, which the networks decline to broadcast live. After Swigert turns on the liquid oxygen tank stirring fans as requested, one of the tanks explodes, emptying its contents into space and sending the craft tumbling. The other tank is soon found to be leaking. They attempt to stop the leak by shutting off fuel cells #1 and #3, but to no avail. With the fuel cells closed, the Moon landing must be aborted, and Lovell and Haise must hurriedly power up Aquarius to use as a "lifeboat" for the return home, as Swigert shuts down Odyssey before its battery power runs out. In Houston, Kranz rallies his team to come up with a plan to bring the astronauts home safely, declaring "failure is not an option. Controller John Aaron recruits Mattingly to help him invent a procedure to restart Odyssey for the landing on Earth. As Swigert and Haise watch the Moon pass beneath them, Lovell laments his lost chance of walking on its surface, then turns their attention to the business of getting home. With Aquarius running on minimal electrical power, the crew suffers freezing conditions, and Haise contracts a urinary infection and resulting fever. Swigert suspects Mission Control is withholding their inability to get them home; Haise angrily blames Swigert's inexperience for the accident; and Lovell quickly squelches the argument. When carbon dioxide approaches dangerous levels, ground control must quickly invent a way to make the command module's square filters work in the Lunar Module's round receptacles. With the guidance systems on Aquarius shut down, the crew must make a difficult but vital course correction by manually igniting the Lunar Module's engine. Mattingly and Aaron struggle to find a way to turn on the command module systems without drawing too much power, and finally transmit the procedure to Swigert, who restarts Odyssey by transferring extra power from Aquarius. When the crew jettisons the service module, they are surprised to see the extent of the damage. As they release Aquarius and re-enter the Earth's atmosphere, no one is sure that Odyssey ' s heat shield is intact. The tense period of radio silence due to ionization blackout is longer than normal, but the astronauts report all is well and splash down in the Pacific Ocean. As helicopters bring the three men aboard the recovery ship USS Iwo Jima for a hero's welcome, Lovell's voice-over describes the subsequent investigation into the explosion, and the careers of Haise, Swigert, Mattingly, and Kranz. He wonders if and when mankind will return to the Moon. Cast [ edit] Hanks, Bacon and Paxton portray the astronauts Lovell, Swigert and Haise respectively. Apollo Flight Crew: Tom Hanks as Apollo 13 Commander Jim Lovell: Jim Lovell stated that before his book Lost Moon was even written, the movie rights were being shopped to potential buyers [5] and that his first reaction was that Kevin Costner would be a good choice to play him. [5] However, by the time Howard acquired the director's position, Costner's name never came up in serious discussion, and Hanks had already been interested in doing a film based on Apollo 13. When Hanks' representative informed him that a script was being passed around, he had the script sent to him. [5] John Travolta was initially offered the role of Lovell, but declined. [7] Kevin Bacon as Apollo 13 backup Command Module Pilot Jack Swigert [8] Bill Paxton as Apollo 13 Lunar Module Pilot Fred Haise Mission Control: Gary Sinise as Apollo 13 prime Command Module Pilot Ken Mattingly: Sinise was invited by Howard to read for any of the characters, and chose Mattingly. [5] Ed Harris as White Team Flight Director Gene Kranz: Harris described the film as "cramming for a final exam. Harris described Gene Kranz as "corny and like a dinosaur" but respected by the crew. [5] Apollo 13 would be Harris' second space travel-themed movie; he had starred as pioneering astronaut John Glenn in 1983's The Right Stuff. Chris Ellis as Director of Flight Crew Operations Deke Slayton Joe Spano as "NASA Director" a composite character loosely based on Chris Kraft Marc McClure as Black Team Flight Director Glynn Lunney Clint Howard as White Team Electrical, Environmental and Consumables Manager (EECOM) Sy Liebergot Ray McKinnon as White Team Flight Dynamics Officer Jerry Bostick Todd Louiso as White Team Flight Activities Officer Loren Dean as EECOM John Aaron Jim Meskimen as White Team Telemetry, Electrical, EVA Mobility Unit Officer (TELMU) David Andrews as Apollo 12 Commander Pete Conrad Christian Clemenson as Flight Surgeon Dr. Charles Berry Ben Marley as Apollo 13 backup Commander John Young Brett Cullen as Capsule Communicator (CAPCOM) 1 Ned Vaughn as CAPCOM 2 Carl Gabriel Yorke as SIM (Simulator) 1 Arthur Senzy as SIM 2 Civilians: Kathleen Quinlan as Marilyn Gerlach Lovell, Jim's wife Xander Berkeley as Henry Hurt, a fictional NASA Office of Public Affairs staff member [9] Tracy Reiner as Haise's wife Mary Mark Wheeler as Neil Armstrong, Apollo 11 Commander Larry Williams as Buzz Aldrin, Apollo 11 Lunar Module Pilot Mary Kate Schellhardt as Lovell's older daughter Barbara Max Elliott Slade as Lovell's older son James (Jay) who attended military school at the time of the flight Emily Ann Lloyd as Lovell's younger daughter Susan Miko Hughes as Lovell's younger son Jeffrey The real Jim Lovell appears as captain of the recovery ship USS Iwo Jima; Howard had intended to make him an admiral, but Lovell himself, having retired as a captain, chose to appear in his actual rank. Horror film director Roger Corman, a mentor of Howard, appears as a congressman being given a VIP tour by Lovell of the Vehicle Assembly Building, as it had become something of a tradition for Corman to make a cameo appearance in his protégés' films. [10] The real Marilyn Lovell appeared among the spectators during the launch sequence. CBS News anchor Walter Cronkite appears in archive news footage and can be heard in newly recorded announcements, some of which he edited himself to sound more authentic. In addition to his brother, Clint Howard, several other members of Ron Howard's family appear in the movie: Rance Howard (his father) appears as the Lovell family minister. Jean Speegle Howard (his mother) appears as Lovell's mother Blanch. Cheryl Howard (his wife) and Bryce Dallas Howard (his daughter) appear as uncredited background performers in the scene where the astronauts wave goodbye to their families. Brad Pitt was offered a role in the film, but turned it down to star in Se7en. [12] Reportedly, the real Pete Conrad expressed interest in appearing in the film. Jeffrey Kluger appears as a television reporter. Production [ edit] Preproduction and props [ edit] The screenplay by William Broyles Jr. and Al Reinert was rewritten by John Sayles after Hanks had been cast and construction of the spacecraft sets had begun. [13] While planning the film, director Ron Howard decided that every shot of the film would be original and that no mission footage would be used. [14] The spacecraft interiors were constructed by the Kansas Cosmosphere and Space Center 's Space Works, which also restored the Apollo 13 command module. Two individual Lunar Modules and two command modules were constructed for filming. While each was a replica, composed of some of the original Apollo materials, they were built so that different sections were removable, which enabled filming to take place inside the capsules. Space Works also built modified Command and Lunar Modules for filming inside a Boeing KC-135 reduced-gravity aircraft, and the pressure suits worn by the actors, which are exact reproductions of those worn by the Apollo astronauts, right down to the detail of being airtight. When suited up with their helmets locked in place, the actors were cooled by air pumped into the suits, and so that they could breathe, exactly as in launch preparations for the real Apollo missions. [15] The real Mission Control Center consisted of two control rooms located on the second and third floors of Building 30 at the Johnson Space Center in Houston, Texas. NASA offered the use of the control room for filming, but Howard declined, opting instead to make his own replica from scratch. [14] Production designer Michael Corenblith and set decorator Merideth Boswell were in charge of the construction of the Mission Control set at Universal Studios. The set was equipped with giant rear-screen projection capabilities and a complex set of computers with individual video feeds to all the flight controller stations. The actors playing the flight controllers were able to communicate with each other on a private audio loop. [15] The Mission Control room built for the film was on the ground floor. [14] One NASA employee, who was a consultant for the film, said that the set was so realistic that he would leave at the end of the day and look for the elevator before remembering he was not in Mission Control. By the time the film was made, the USS Iwo Jima had been scrapped, so her sister ship, the USS New Orleans, was used as the recovery ship instead. [14] For actors, being able to actually shoot in zero gravity as opposed to being in incredibly painful and uncomfortable harnesses for special effects shots was all the difference between what would have been a horrible moviemaking experience as opposed to the completely glorious one that it actually was. —Tom Hanks [15] Howard anticipated difficulty in portraying weightlessness in a realistic manner. He discussed this with Steven Spielberg, who suggested using a KC-135 airplane, which can be flown in such a way as to create about 23 seconds of weightlessness, a method NASA has always used to train its astronauts for space flight. Howard obtained NASA's permission and assistance in filming in the realistic conditions aboard multiple KC-135 flights. [16] Cast training and filming [ edit] In Los Angeles, Ed Harris and all the actors portraying flight controllers enrolled in a Flight Controller School led by Gerry Griffin, an Apollo 13 flight director, and flight controller Jerry Bostick. The actors studied audiotapes from the mission, reviewed hundreds of pages of NASA transcripts, and attended a crash course in physics. [14] 15] Astronaut Dave Scott was impressed with their efforts, stating that each actor was determined to make every scene technically correct, word for word. [5] Scott was the chief technological consultant for the film. [17] Soundtrack [ edit] Apollo 13: Music From The Motion Picture Soundtrack album by James Horner Released June 27, 1995 Genre Soundtrack Length 77: 41 Label MCA Professional ratings Review scores Source Rating AllMusic [18] 19] SoundtrackNet [20] Tracksounds [21] The score to Apollo 13 was composed and conducted by James Horner. The soundtrack was released in 1995 by MCA Records and has seven tracks of score, eight period songs used in the film, and seven tracks of dialogue by the actors at a running time of nearly seventy-eight minutes. The music also features solos by vocalist Annie Lennox and Tim Morrison on the trumpet. The score was a critical success and garnered Horner an Academy Award nomination for Best Original Score. [22] All music is composed by James Horner, except where noted. Apollo 13: Original Motion Picture Soundtrack No. Title Length 1. "Main Title" 1:32 2. "One Small Step" 0:42 3. Night Train. performed by James Brown, written by Jimmy Forrest, Lewis Simpkins and Oscar Washington) 3:27 4. Groovin. performed by The Young Rascals) 2:26 5. Somebody to Love. performed by Jefferson Airplane) 2:55 6. I Can See for Miles. performed by The Who) 4:09 7. Purple Haze. performed by The Jimi Hendrix Experience) 2:48 8. "Launch Control" 3:28 9. "All Systems Go/The Launch" 6:39 10. "Welcome to Apollo 13" 0:38 11. Spirit in the Sky. performed and written by Norman Greenbaum) 3:50 12. "House Cleaning/Houston, We Have a Problem" 1:34 13. "Master Alarm" 2:54 14. "What's Going On. 0:34 15. "Into the L. E. M. 3:43 16. "Out of Time/Shut Her Down" 2:20 17. "The Darkside of the Moon" performed by Annie Lennox) 5:09 18. "Failure is Not an Option" 1:18 19. Honky Tonkin. performed and written by Hank Williams) 2:42 20. Blue Moon. performed by The Mavericks, written by Richard Rodgers and Lorenz Hart) 4:09 21. "Waiting for Disaster/A Privilege" 0:43 22. "Re-Entry & Splashdown" 9:05 23. "End Titles" performed by Annie Lennox) 5:34 Release [ edit] The film was released on June 30, 1995 in North America and on September 22, 1995 in the UK. In September 2002 the film was re-released in IMAX. It was the first film to be digitally remastered using IMAX DMR technology. [23] Box-office performance [ edit] The film was a box-office success, bringing in 355, 237, 933 worldwide. [2] The film's widest release was 2, 347 theaters. [2] The film's opening weekend and the following two weeks placed it at #1 with a US gross of 25, 353, 380, which made up 14. 7% of the total US gross. [2] Apollo 13 box office revenue Source Gross ( US) Total All-time rank (unadjusted) North America 173, 837, 933 [2] 48. 9% 229 [2] Foreign 181, 400, 000 [2] 51. 1% N/A Worldwide 355, 237, 933 [2] 100. 0% 282 [2] Reception [ edit] Review aggregator Rotten Tomatoes reports that the film has an overall approval rating of 95% based on 88 reviews, with a weighted average rating of 8. 2/10. The site's critical consensus reads, In recreating the troubled space mission, Apollo 13 pulls no punches: it's a masterfully told drama from director Ron Howard, bolstered by an ensemble of solid performances. 24] Metacritic, which assigns a normalized rating to reviews from mainstream critics, gave the film an average score of 77 out of 100, based on 22 critics, indicating "generally favorable reviews. 25] Roger Ebert of the Chicago Sun-Times praised the film in his review saying: A powerful story, one of the year's best films, told with great clarity and remarkable technical detail, and acted without pumped-up histrionics. 26] Richard Corliss of Time highly praised the film, saying: From lift-off to splashdown, Apollo 13 gives one hell of a ride. 27] Edward Guthmann of San Francisco Chronicle gave a mixed review and wrote: I just wish that Apollo 13 worked better as a movie, and that Howard's threshold for corn, mush and twinkly sentiment weren't so darn wide. 28] Peter Travers of Rolling Stone praised the film and wrote: Howard lays off the manipulation to tell the true story of the near-fatal 1970 Apollo 13 mission in painstaking and lively detail. It's easily Howard's best film. 29] Janet Maslin made the film an NYT Critics' Pick, calling it an "absolutely thrilling" film that "unfolds with perfect immediacy, drawing viewers into the nail-biting suspense of a spellbinding true story. According to Maslin, like Quiz Show, Apollo 13 beautifully evokes recent history in ways that resonate strongly today. Cleverly nostalgic in its visual style ( Rita Ryack 's costumes are especially right) it harks back to movie making without phony heroics and to the strong spirit of community that enveloped the astronauts and their families. Amazingly, this film manages to seem refreshingly honest while still conforming to the three-act dramatic format of a standard Hollywood hit. It is far and away the best thing Mr. Howard has done (and Far and Away was one of the other kind. 30] The academic critic Raymond Malewitz focuses on the DIY aspects of the "mailbox" filtration system to illustrate the emergence of an unlikely hero in late 20th-century American culture—"the creative, improvisational, but restrained thinker—who replaces the older prodigal cowboy heroes of American mythology and provides the country a better, more frugal example of an appropriate 'husband. 31] Marilyn Lovell praised Quinlan's portrayal of her, stating she felt she could feel what Quinlan's character was going through, and remembered how she felt in her mind. [5] Home media [ edit] A 10th-anniversary DVD of the film was released in 2005; it included both the theatrical version and the IMAX version, along with several extras. [32] The IMAX version has a 1. 66:1 aspect ratio. [33] In 2006, Apollo 13 was released on HD DVD and on April 13, 2010 it was released on Blu-ray disc as the 15th-anniversary edition on the 40th anniversary of the Apollo 13 accident. [32] The Film was released on 4K UHD Blu-Ray on October 17, 2017. [34] Accolades [ edit] Year Award Category Recipient Result Ref. 1996 Academy Awards (1996) Best Film Editing Mike Hill and Daniel Hanley Won [4] Best Sound Rick Dior, Steve Pederson, Scott Millan, and David MacMillan Best Actor in a Supporting Role Ed Harris (lost to Kevin Spacey in The Usual Suspects) Nominated Best Actress in a Supporting Role Kathleen Quinlan (lost to Mira Sorvino in Mighty Aphrodite) Best Art Direction Art Direction: Michael Corenblith; Set Decoration: Merideth Boswell (lost to Restoration) Best Original Dramatic Score James Horner (lost to Il Postino) Best Picture Brian Grazer (lost to Braveheart) Best Visual Effects Robert Legato, Michael Kanfer, Leslie Ekker, and Matt Sweeney (lost to Babe) Best Adapted Screenplay William Broyles Jr. and Al Reinert (lost to Sense and Sensibility) American Cinema Editors (Eddies) Best Edited Feature Film Mike Hill, Daniel P. Hanley American Society of Cinematographers Outstanding Achievement in Cinematography in Theatrical Releases Dean Cundey BAFTA Film Awards Best Production Design Michael Corenblith Outstanding Achievement in Special Visual Effects Robert Legato, Michael Kanfer, Matt Sweeney, Leslie Ekker Best Cinematography Best Editing Mike Hill, Daniel Hanley David MacMillan, Rick Dior, Scott Millan, Steve Pederson Casting Society of America (Artios) Best Casting for Feature Film, Drama Jane Jenkins, Janet Hirshenson Chicago Film Critics Association Awards Apollo 13 Directors Guild of America Outstanding Directorial Achievement in Motion Pictures Ron Howard, Carl Clifford, Aldric La'Auli Porter, Jane Paul Golden Globe Awards Best Supporting Actor – Motion Picture Ed Harris as Gene Kranz Best Supporting Actress – Motion Picture Kathleen Quinlan as Marilyn Lovell Best Director – Motion Picture Ron Howard Best Motion Picture – Drama Heartland Film Festival Studio Crystal Heart Award Jeffrey Kluger Hugo Awards Best Dramatic Presentation MTV Movie Awards Best Male Performance Tom Hanks as Jim Lovell Best Movie PGA Awards Motion Picture Producer of the Year Award Brian Grazer, Todd Hallowell Saturn Awards Best Action / Adventure / Thriller Film Apollo 13 (lost to The Usual Suspects) Screen Actors Guild Awards Outstanding Performance by a Male Actor in a Supporting Role Outstanding Performance by a Cast Kevin Bacon, Tom Hanks, Ed Harris, Bill Paxton, Kathleen Quinlan, and Gary Sinise Space Foundation's Douglas S. Morrow Public Outreach Award Best Family Feature – Drama [35] Writers Guild of America Awards Best Screenplay Adapted from Another Medium William Broyles Jr., Al Reinert Young Artist Awards 2005 American Film Institute AFI's 100 Years. 100 Movie Quotes "Houston, we have a problem. 50) 36] 2006 AFI's 100 Years. 100 Cheers Apollo 13 ( 12) Technical and historical accuracy [ edit] Apollo 13 space capsule prop from the film The film depicts the crew hearing a bang quickly after Swigert followed directions from mission control to stir the oxygen and hydrogen tanks. In reality, the crew heard the bang 93 seconds later. [37] The film portrays the Saturn V launch vehicle being rolled out to the launch pad two days before launch. In reality, the launch vehicle was rolled out on the Mobile Launcher using the crawler-transporter weeks before the launch date. citation needed] The movie depicts Swigert and Haise arguing about who was at fault. The show The Real Story: Apollo 13 broadcast on the Smithsonian Channel includes Haise stating that no such argument took place and that there was no way anyone could have foreseen that stirring the tank would cause problems. [38] The dialogue between ground control and the astronauts was taken nearly verbatim from transcripts and recordings, with the exception of one of the taglines of the film. Houston, we have a problem. This quote was voted #50 on the list " AFI's 100 Years. 100 Movie Quotes. According to the mission transcript, the actual words uttered by Jack Swigert were "Hey, we've got a problem here" talking over Haise, who had started "Okay, Houston. Ground control responded by saying "This is Houston, say again please. Jim Lovell then repeated, Houston, we've had a problem. 39] One other incorrect dialogue is after the re-entry blackout. In the movie, Tom Hanks (as Lovell) says "Hello Houston. this is Odyssey. it's good to see you again. In the actual re-entry, the Command Module's transmission was finally acquired by a Sikorsky SH-3D Sea King recovery helicopter which then relayed communications to Mission Control. CAPCOM and fellow astronaut Joe Kerwin (not Mattingly, who serves as CAPCOM in this scene in the movie) then made a call to the spacecraft "Odyssey, Houston standing by. Over. Jack Swigert, not Lovell, replied "Okay, Joe. and unlike in the movie, this was well before the parachutes deployed; the celebrations depicted at Mission Control were triggered by visual confirmation of their deployment. [40] The tagline "Failure is not an option" stated in the film by Gene Kranz, also became very popular, but was not taken from the historical transcripts. The following story relates the origin of the phrase, from an e-mail by Apollo 13 Flight Dynamics Officer Jerry Bostick: As far as the expression "Failure is not an option. you are correct that Kranz never used that term. In preparation for the movie, the script writers, Al Reinart and Bill Broyles, came down to Clear Lake to interview me on "What are the people in Mission Control really like. One of their questions was "Weren't there times when everybody, or at least a few people, just panicked. My answer was "No, when bad things happened, we just calmly laid out all the options, and failure was not one of them. We never panicked, and we never gave up on finding a solution. I immediately sensed that Bill Broyles wanted to leave and assumed that he was bored with the interview. Only months later did I learn that when they got in their car to leave, he started screaming, That's it! That's the tag line for the whole movie, Failure is not an option. Now we just have to figure out who to have say it. Of course, they gave it to the Kranz character, and the rest is history. [41] In the film, Flight Director Gene Kranz and his White Team are portrayed as managing all of the essential parts of the flight, from liftoff to landing. Consequently, the actual role of the other flight directors and teams, especially Glynn Lunney and his Black Team, were neglected. In fact, it was Flight Director Lunney and his Black Team who got Apollo 13 through its most critical period in the hours immediately after the explosion, including the mid-course correction that sent Apollo 13 on a "free return" trajectory around the Moon and back to the Earth. Astronaut Ken Mattingly, who was replaced as Apollo 13 Command Module Pilot at the last minute by Jack Swigert, later said: If there was a hero, Glynn Lunney was, by himself, a hero, because when he walked in the room, I guarantee you, nobody knew what the hell was going on. Glynn walked in, took over this mess, and he just brought calm to the situation. I've never seen such an extraordinary example of leadership in my entire career. Absolutely magnificent. No general or admiral in wartime could ever be more magnificent than Glynn was that night. He and he alone brought all of the scared people together. And you've got to remember that the flight controllers in those days were—they were kids in their thirties. They were good, but very few of them had ever run into these kinds of choices in life, and they weren't used to that. All of a sudden, their confidence had been shaken. They were faced with things that they didn't understand, and Glynn walked in there, and he just kind of took charge. [42] A DVD commentary track, recorded by Jim and Marilyn Lovell and included with both DVD versions, 32] mentions several inaccuracies included in the film, all done for reasons of artistic license: We were working and watching the controls during that time. Because we came in shallow, it took us longer coming through the atmosphere where we had ionization. And the other thing was that we were just slow in answering. —Jim Lovell, on the real reason for the delay in replying after Apollo 13's four-minute re-entry into Earth's atmosphere [43] In the film, Mattingly plays a key role in solving a power consumption problem that Apollo 13 was faced with as it approached re-entry. Lovell points out in his commentary that Mattingly was a composite of several astronauts and engineers—including Charles Duke (whose rubella led to Mattingly's grounding)—all of whom played a role in solving that problem. When Jack Swigert is getting ready to dock with the LM, a concerned NASA technician says: If Swigert can't dock this thing, we don't have a mission. Lovell and Haise also seem worried. In his DVD commentary, the real Jim Lovell says that if Swigert had been unable to dock with the LM, he or Haise could have done it. He also says that Swigert was a well-trained Command Module Pilot and that no one was really worried about whether he was up to the job, 43] but he admitted that it made a nice subplot for the film. What the astronauts were really worried about, Lovell says, was the expected rendezvous between the Lunar Module and the Command Module after Lovell and Haise left the surface of the Moon. A scene set the night before the launch, showing the astronauts' family members saying their goodbyes while separated by a road, to reduce the possibility of any last-minute transmission of disease, depicted a tradition that did not begin until the Space Shuttle program. The film depicts Marilyn Lovell dropping her wedding ring down a shower drain. According to Jim Lovell, this did occur, 43] but the drain trap caught the ring and his wife was able to retrieve it. Lovell has also confirmed that the scene in which his wife had a nightmare about him being "sucked through an open door of a spacecraft into outer space" also occurred, though he believes the nightmare was prompted by her seeing a scene in Marooned, a 1969 film they saw three months before Apollo 13 launched. [43] See also [ edit] From the Earth to the Moon, a 1998 docudrama mini-series based around the Apollo missions Gravity, a 2013 film about astronauts stranded in Earth orbit Marooned, a 1969 film directed by John Sturges, about astronauts marooned in an Apollo command and service module Other survival films References [ edit] This article incorporates  public domain material from websites or documents of the National Aeronautics and Space Administration. ^ CNN Showbiz News: Apollo 13. CNN. Retrieved April 9, 2009. ^ a b c d e f g h i "Apollo 13 (1995. Box Office Mojo. Retrieved April 9, 2009. ^ Apollo 13. June 30, 1995. Retrieved September 11, 2016. ^ a b "Academy Awards, USA: 1996. Archived from the original on July 23, 2008. Retrieved April 8, 2009. ^ a b c d e f g "Lost Moon: The Triumph of Apollo 13. Retrieved January 1, 2012. ^ Film Casting that Might Have Been for John Travolta and Richard Gere. Archived from the original on July 28, 2014. Retrieved January 1, 2012. ^ Ebert, Robert (June 30, 1995. America's Derring-Do Resurrected. The Record. Hackensack, New Jersey. p. 43 – via ^ The character in the film is a composite of protocol officer Bob McMurrey, who relayed the request for permission to erect a TV tower to Marilyn Lovell, and an unnamed OPA staffer who made the request on the phone, to whom she personally denied it as Quinlan did to "Henry" in the film. "Henry" is also seen performing other OPA functions, such as conducting a press conference. Kluger, Jeffrey; Jim Lovell (July 1995. Lost Moon: The Perilous Voyage of Apollo 13 (First Pocket Books printing ed. New York: Pocket Books. pp.  118, 209–210, 387. ISBN   0-671-53464-5. ^ Repertoire Of Horrors: The Films Of Roger Corman. Retrieved January 1, 2012. ^ Brad Pitt – A Quick Overview. Retrieved January 1, 2012. ^ Johnson, Mary; Neff, Renfreu; Mercurio, Jim; Goldsmith, David F. (April 15, 2016. John Sayles on Screenwriting. Creative Screenwriting. Retrieved October 2, 2017. ^ a b c d e Apollo 13: 2-Disc Anniversary Edition (Disc 1) Production Notes (DVD. Universal Studios. March 19, 2005. ^ a b c d "Production Notes (Press Release. PDF. IMAX. Archived from the original (PDF) on June 4, 2011. Retrieved April 9, 2009. ^ Ron Howard Weightless Again Over Apollo 13's DGA Win. Archived from the original on October 7, 2011. Retrieved December 16, 2011. ^ Nichols, Peter M. (September 6, 1998. Television; From Earth to the Moon and Back, for More Bows. The New York Times. ^ Apollo 13 at AllMusic ^ Filmtracks: Apollo 13 (James Horner. ^ review Archived June 5, 2008, at the Wayback Machine ^ Tracksounds review Archived April 1, 2009, at the Wayback Machine ^ Apollo 13 soundtrack review at Filmtracks. Retrieved 24 February 2011. ^ History of IMAX. Retrieved February 11, 2011. ^ Apollo 13. Rotten Tomatoes. Archived from the original on August 20, 2010. Retrieved August 24, 2010. ^ Apollo 13 Reviews. Metacritic. Retrieved September 25, 2011. ^ Apollo 13: Roger Ebert. Chicago Sun-Times. Retrieved April 11, 2009. ^ Apollo 13: Review. Time. July 3, 1995. Retrieved April 11, 2009. ^ Guthmann, Edward (June 30, 1995. Apollo 13 Review: Story heroic, but it just doesn't fly. San Francisco Chronicle. Retrieved April 11, 2009. ^ Apollo 13 Review: Rolling Stone. Rolling Stone. Retrieved April 11, 2009. ^ Maslin, Janet (June 30, 1995. Apollo 13, a Movie for the Fourth of July. The New York Times. Retrieved September 30, 2011. ^ Malewitz, Raymond (September 5, 2014. getting Rugged With Thing Theory. Stanford UP. Retrieved September 30, 2014. ^ a b c "Apollo 13 Blu-Ray Release. Retrieved September 29, 2011. ^ Apollo 13 (DVD - 2005. Lethbridge Public Library. Retrieved December 30, 2011. ^ Apollo 13 - 4K Ultra HD Blu-ray Ultra HD Review, High Def Digest. Retrieved December 22, 2017. ^ Symposium Awards. National Space Symposium. Archived from the original on February 3, 2009. Retrieved April 26, 2009. ^ a b "AFI's 100 years. 100 quotes" PDF. AFI. Archived (PDF) from the original on March 26, 2009. Retrieved April 13, 2009. ^ Apollo 13 Timeline, Apollo by the Numbers: A Statistical Reference, NASA History Series, Office of Policy and Plans, Richard W. Orloff, Sept. 2004. See "Oxygen tank #2 fans on. Stabilization control system electrical disturbance indicated a power transient. 055:53:20. " The Real Story: Apollo 13, Season 4, Episode 3, 2012. See this section beginning at 15:18. ^ Page 231 of Apollo 13's transcript at NASA Johnson Space Center" PDF. Retrieved August 8, 2015. ^ Apollo 13's re-entry transcript on Spacelog. ^ Origin of Apollo 13 Quote: Failure Is Not an Option. Retrieved April 4, 2010. ^ Ken Mattingly, quoted in Go, Flight! The Unsung Heroes of Mission Control, 1965-1992, Rick Houston and Milt Heflin, 2015, University of Nebraska Press, p. 221 ^ a b c d William, Lena (July 19, 1995. In Space, No Room For Fear. Retrieved September 30, 2011. External links [ edit] Apollo 13 on IMDb Apollo 13 at the TCM Movie Database Apollo 13 at AllMovie Apollo 13 at Rotten Tomatoes Apollo 13 at Box Office Mojo.

Watch apollo 13 free. While waiting for the next episode of  The Spanish Princess,  check out all the new movies. The most critically-acclaimed titles hitting the platform this month. Can you believe? Catch season 3 of 'Queer Eye' and so much more! We're here to help you sort through all the titles hitting your favorite platforms this month. With all these movies and shows, it's like Christmas in June! Hulu will also get the Season 2 premiere of Freeform's  The Bold Type way early, so save the date! My guess was City Slickers II: The Legend of Curly's Gold, but, sadly, I was wrong. Dead wrong. Showtime's original political series, The Circus, returns, for its third season, along with a few great movies from the early 2000s. Get 'em before they're gone! The Shawshank Redemption. The Pursuit of Happyness. and 'Kung Fu Panda 3' are all leaving this April.

Watch apollo 17. Watch apollo 13 online. Apollo 13 suffers from the fact that it was regarded highly as a film and is, in my opinion, very much over-rated. Apollo 13 is based on a true story about the space mission. I do believe that it was successful in getting the mainstream interested about the history of space missions and space exploration in general. In that sense, it did not fail. It also did not fail in the sense that it did capture an audience and bring about the timeless quotation: Houston, we have a problem." Yes, they *did* have a problem, and I am speaking about the film here and not the mission.
The problem with Apollo 13 is the slow pace of the film and the length of it. Yes, it is based on a true story, but that does not mean that it has to be so boring a dry. (A lot of the technical speak went over my head as a 16-year-old.) In terms of overall art direction or cinematography, the film was average. In short, it was just a very dry film and a long film to sit through. (The fact that it was rated highly and that the ending is well-known also probably did not help matters.) Overall, my personal opinion of this film is similar to the most famous quotation in the film: Houston, we have a problem...

Watch apollo 13 123movies. 155 customer reviews There was a problem filtering reviews right now. Please try again later. November 12, 2018 Format: Prime Video Verified Purchase This documentary explains in some depth, but not in overwhelming detail, the complex procedures that an enormous group of people all over the country went through to rescue the astronauts of the Apollo 13 Moon mission after a disastrous failure of their spacecraft in April 1970. The film also offers a great collection of archival footage and interviews with the essential players in a vast human and technological drama. If you, like me, were alive at the time of these history-making events, or if you are interested in the manned exploration of space, or if you enjoyed the Hollywood film "Apollo 13. this program will bring back memories and help fill gaps in your knowledge. Although it's very low-key and a bit dry, and though it would benefit from a better narrator than "Lost in Space" actor Billy Mumy, it's nevertheless quite engrossing and enjoyable overall. July 28, 2019 Format: Prime Video Verified Purchase The sound and picture quality is very poor but the content is excellent. Having never seen the Ron Howard movie entitled Apollo 13 I watched this documentary knowing very little about the event. I suggest using captions because there are several clips where the audio makes it difficult to understand. As a technical person I could have watched a 3 hour version of this simply to learn more about the amazing problem solving that took place. The information is well presented and this makes for a great addition to any 50th anniversary Apollo 11 viewing. Glad I watched this before viewing the Ron Howard movie. July 19, 2016 Format: Prime Video Verified Purchase I understand why they picked Billy Mumy to narrate, given the Lost in Space connection and all, but his narration makes it sound like a children's story. If I didn't know so much about Apollo 13 already it might have held my interest better. And did the person that did the cover art even watch the video? It has nothing to do with anything in the documentary. Pacing lags in places, but overall it is an engrossing story reasonably well told. February 27, 2016 Format: Prime Video Verified Purchase If you enjoyed 'Apollo 13' the motion picture, you'll likely find this quite interesting as it offers some very interesting insight into the actual events that took place during that phenomenal event. It's a documentary that is well worth seeing for those who were nothing short of amazed with the events of the Apollo 13 mission. This is the story of many heroes around the globe who made it possible, with a major joint effort, to bring our astronauts back to Earth safely! July 20, 2016 Format: Prime Video Verified Purchase I loved this movie. It is more from the ground operations and engineering perspective than that of the astronauts. I used to work in this field. It just amazes me, from personal experience, how much slow and meticulous work goes into preparing for a mission like this. It takes forever. Yet, in a crisis, the engineers are so brilliant, the world comes together, and we can come up with unproven and untested solutions in just a few hours. Hooray for humanity! Look at the amazing things we can do under pressure. I find it all so inspiring. Now. let's go out and solve global warming! May 16, 2015 Format: Prime Video Verified Purchase The "successful failure" was inspiring to me. As a young boy I can remember this event vividly and was amazed that they lived. I remember my parents were worried and it showed on their faces so I was worried and thought, what does it mean if they die? The elation when the astronauts were seen walking and climbing down out of the helicopter gave me a feeling of victory and was perhaps the greatest TV moment I can recall. This show is perhaps dated but I like them like that. It captures the moment in the moment that it happened. I gave this five stars. January 8, 2017 Format: Prime Video Verified Purchase Poor SD quality made this film visually suffer. But the content, and the reality of events that this movie told without typical Hollywood manipulation, brings to light the true story of this event. It also downgrades Ron Howard's remarkable film because of the amount of historical manipulation they did to make their movie dramatic. I am glad I watched this film to better understand what really happened up there. April 14, 2015 Format: Prime Video Verified Purchase This was an international story when these guys were stuck in space and hundreds of technicians worked to bring them back. Hair raising suspense it's cool to see the actual heroes who were portrayed in the great Ron Howard/Tom Hanks film. This was 1970 technology which nevertheless worked miracles - a combination of bold astronauts, clever NASA workers and a lot of dumb luck. Very compelling footage and nice narration by Bill Mumy. Highly recommended.

Watch Apollo 13 ans. Watch apollo 13 solar. Watch apollo 13 123 movies. Watch apollo 13 online putlocker. Watch apollo 13 putlocker. Release Date: June 30th, 1995 DVD Release Date: February 24th, 1998 PG, 2 hr 20 min Plot Summary This Hollywood drama is based on the events of the Apollo 13 lunar mission, astronauts Jim Lovell (Tom Hanks) Fred Haise (Bill Paxton) and Jack Swigert (Kevin Bacon) find everything going according to plan after leaving Earth's orbit. However, when an oxygen tank explodes, the scheduled moon landing is called off. Subsequent tensions within the crew and numerous technical problems threaten both the astronauts' survival and their safe return to Earth. Cast: Tom Hanks, Bill Paxton, Kevin Bacon, Gary Sinise, Ed Harris, Kathleen Quinlan, David Andrews, Xander Berkeley Director: Ron Howard Genres: Historical drama Production Co: Universal Pictures, Imagine Entertainment Distributors: Universal Pictures Keywords: Wife, Suspenseful, 1970s, Engaging, Rescue, Emotional, Quest.

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Share on: Share via Facebook Share via Twitter 4. 5 / 5 stars 87% 95% Read Less Released Year: 1995 Cast & Crew Jim Lovell Fred Haise Jack Swigert Ken Mattingly Gene Kranz Marilyn Lovell Pete Conrad Henry Hurt Dr. Chuck William 'Bill' Pogue, CAPCOM EECOM Arthur EECOM White John Young Glynn Lunney Mary Haise NASA Director Deke Slayton Director Producer Information for Parents Thrilling, heartwarming, scary, and superb. Read More. - Terminator Tubi is the largest free movie and TV streaming service in the US. We are not available in Europe due to changes in EU laws. The GDPR went into effect on May 2018; Tubi is working on compliance and planning to re-launch in European countries soon. Be the first to know when Tubi is available in your country. Austria Contact Us.

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Before going any further, one of the most important thing that you should take into consideration is what file formats can be played on your 4K TV via NAS device. This link makes a full list of Sony, Samsung, Panasonic and LG 4K TV best compatible file formats for you as a reference: Sony/Samsung/Panasonic/LG 4K TV Supported Video/Audio File Formats. Now it's just a piece of cake with this easy how-to guide. Here you will learn how to convert video files to 4K TV compatible formats and enjoy videos in any format on 4K TV from QNAP NAS without any limitations. Along with some help from third party program like  Pavtube Video Converter Ultimate, it can be done effortlessly. This video converter is professional at transcoding any Blu-ray/DVD/videos to QNAP NAS for playback on 4K TV without quality loss. It provides hundreds of output format presets for output videos, such as Samsung TV, Sony TV, LG TV, Panasonic TV, etc. making the conversion much easier and efficient. 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After the conversion, click “Open” to quickly find the converted movies. Then, the converted 4k movies can be configured for direct access via QNAP NAS for 4K TV. Tips: Need you downscale 4K to 1080p? When we watching TV, in order to get a better visual experience, we usually keep a certain distance with TV. We cant find the obvious different with our eyes with 720P, 1080P and 4K. The distance will cover the different. So, we suggest you downsize 4K video to a lower resolution like 1920*1080, for one thing, to save the storage space or the whole videos can be storage into one memory card, for another, reduce the converting time, because of converting duration depends on the video sizes. To get more pixels on the 4K TV, you can downscale 4K to 1080p resolution. Open "Profile Settings" window, enter the file resolution "1920*1080" in the brackets beside "Size(pix) option.

Patience - 4k timelapse movie. When will real train come.

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I WATCHED THIS WHEN IT CAME OUT! I WANT MORE OF THIS. Very bad video you made. I own a digital copy of this movie (Kung Fu killer) via Amazon. I usually don't go to the movie theaters. That does not include Bond movies. Can't wait until April. 2:10 I'm loving that motorcycle jump. Ye Wen 4 Movie streams. Ye Wen 4 Movie stream online. Chanel sampah... tai anjink. Ye Wen 4 Movie streaming. 10:24 I didnt come here for the rice 😂😂😂.

 

Rated 9.3/10 based on 648 customer reviews

Download Spies in Disguise no registration Full Movie tamil Pirate Bay

Download Spies in Disguise no registration Full Movie tamil Pirate Bay - by envelighwing1978, February 12, 2020
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user Ratings 7,6 of 10

Countries USA

genre Action

director Nick Bruno

Movie Info Spies in Disguise is a movie starring Rachel Brosnahan, Jarrett Bruno, and Claire Crosby. When the world's best spy is turned into a pigeon, he must rely on his nerdy tech officer to save the world

runtime 1 Hour 42Minute

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Spies in disguise full movie. Spies in disguise box office. I have seen this posted everywhere But yes I like the new designs. [Disclaimer: I attended a screening of this movie. Although I am not a professional reviewer, nor was I paid for any review.]
This movie should do well in the Christmas holiday season - it appeals to boys as well as girls, because of the strong leads. Will Smith is obviously the lead, but he is supported by the lovable Tom Holland and hard-nosed Rashida Jones.
It is suitable for kids of all ages because of the action, but no actual depictions of people being killed. In addition, the supporting character (Walter Beckett) advocates for non-violent disabling of enemies.
The story line is plausible, but a bit long. The realism in the injuries to the characters are not. Think of lots of Looney Tunes stunts...

Spies in disguise poster. Spies in disguise will be a good time for kids in cinema and parents wont regret spending their time on it,it has fun told story in simple way for children to understand but in same time it doesnt threat them as idiots,as many animated films do,animation is solid considering it doesnt look like it had bid budget,will smith and tom holland did a good voice acting but they could at least change their voices and not making it so obvisious that is them,spies in disguise isnt for me one of best animated films of they year,but for most of kids and parents it will be a good time.

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Chloë grace moretz, Finn wolfhard and snoop dogg as “it”. Well thats something I gotta see

Honestly, this looks bad. The OG characters seem like they are less mature to more closely match the newer versions. But I'll get it if it brings us Season 6. Spies in disguise online.

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Remember when this guy was the fresh prince of bel air. Spies in disguise game. I just watched this movie today Its definitely a must watch. Best movie Ive seen in years 0-0. Hey, this isn't Fortress Film's Spy's Disguise. Spies in disguise review.

Wow, finally I was the first one (tied with @engelen26 thuis. Spies in disguise csfd.

 

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Spies in disguise 123movies. I think its anime. Spies in disguise showtimes showtimes. Spies in disguise download. Spies in disguise full movie download. Spies in disguise movie trailer. Toy Story. Woody goes to save Buzz Toy Story 2. Buzz goes to save Woody Toy Story 3. Woody goes to save Buzz (and the other toys) Toy Story 4. Buzz goes to save Woody (and Forky) 👍♥️♥️. Marie:A Blue Pigeon? I Will Good Marie And Good Pigeon. 1:37 and I OOOOOPPP—. Spies in disguise full movie 2019 in english. Spies in disguise release date. Spies in disguise walter. 1:08 - Ohhh that's hot Youtube rewind You stole our meme, the only thing we had going for us. Stop girl come on. That braces pig is probably my favourite character right now.

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